the products are cheap enough and buying from them is easy
i bought a 1Ds mk111 from them a year ago and it arrived very quickly and all ok
however it failed and had to be sent back (to hong kong i imagine)
it took weeks to get a replacement and the phone lines never worked
not good when you...
i would say that the websites aren't trying to sell to togs so our opinion is not valid
for me its about total control of your work and if that means using models etc then so be it
restaurants have pics of food that never looks like the stuff on your plate ( Mac D's!!!)
car manufacturers...
the Honda GP bike is a modern replica using a CBR250 engine
still sounds awesome though
bike #16 is a journo i do a lot of work with
i was invited to take of my GP bikes
wish i'd gone now as that hump bridge looked fun
switch the camera off before you do anything
the static charge seems to be the main problem
certainly on full frame sensors
i try not to change lenses as much as possible by having 3 bodies and keeping the standard stuff fitted to save changes in the field
for me it was a case of waiting until digital exceeded the quality and size of trannies
once Canon reached that point with the 1Ds i simply switched over in a day
one day i was spending a fortune on processing the next i was spending even more on bodies, PC's, memory cards back ups, etc
its easy enough to clean
just pop the screen out and wipe it
mine have had crud on them just about since day one
it doesnt affect anything only dust on the sensor will be a problem to the final image
Thats right just being a team snapper isnt enough
last year you had to have a letter or two from editor/s of a publication saying they were using your work
i imagine its the same or harder this season
there wont be any shortage of togs on the other side of the fence offering pics to "your" team
i look on a RAW file as i used to the negative and as such treat it with kid gloves
i will always have it to go back to at any time
should a client or publication want that pic i can produce the image to their specs and requirements without risking the image in any way
a RAW image produces a...
yeah deffo 2.8
the bokeh on this lens has to be sampled to be believed
ideal for weddings especially when teamed with a 24-70 f2.8
the perfect set up for the bulk of my work
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