I love No1, cant see the noise so well as mentions above but the monitor here at work is shocking!
Lovely subtle colours in the sky and stroking the mid LH side. I never know with these sorts of pictures whether to raise the exposure in the foreground or not. I think if you do you have to be subtle with it as too much makes it look very artificial. Lovely silhouette of Lindisfarne somewhere I always wanted to go.
No2 Nice crisp shot ofEilean Donan, I find that flipping seaweed a real distraction, I think it would have been better to take photos of this at high tide, so the water floods out the seaweed. (see my comments at the bottom). Nice clouds and mountains in the horizon. Would have been a nice reflections if not for the weed.
No 3 love the concept and the composition. Really nice foreground with the crops and the light brushing across the top. Love the starburst of the sun. Now the 2 things I am not sure about is, the contrail in the sky and the flare. I am not an Anti Flare person but not sure about it in this shot, mainly because it draws my eye away from the bit I like best, the sun. I have contrails in some of my pictures and to be honest there in and out like a yo yo can never make up my mind. I think this one could be looked at as a leading line to the sun. I think if it were mine I would try and loose the flare and leave the trail.
So now all this stuff about light and high tide, really what amounts to “When” you take the shot?
I always think, Yes it would be great to be at a location in perfect light, or when the tides in etc. I always see the comments bringing up these things and yes of course we would all love to shoot in perfect light IF we were able too. If you’re fortunate enough to be able to it would be great and I guess that’s how the professional crack these shots, because it’s their job.
So the question is….. If you’re at a stunning location and you’re not fortunate enough to have the right light do you pull out the camera or not? I guess those clever than me look for a different angle, crop, composition.
I think at the end of the day you take the shot and hope you can get something good out of it.
PS this doesn’t apply to Steve ST4 because the great light follows him around