This is only my 2nd week with the camera
Bloomin eck! Well that puts a different slight on the matter!
So, what I thought was 'deliberate' contention, probably wasn't?
Did you think to turn the camera side-ways, 'portrait-orientation' rather than 'landscape' orientation as you have it?
If not, next time you are about, give it a go. - it's about the only thing i might do in Post-Process with that one, actually, 'crop' it portrait, take about half the frame off the side with all the twigs in it.
Do you know about the 'rule of thirds'? and how a viewer instinctively 'sees' a photo?
At first glance,our vision takes in the 'whole' of the frame, but pays most attention to the middle, then it shifts to the left hand edge and up to the top corner, where we'd start reading a book, and 'scans' the periferal detail... this is also how most newbies take a picture, they look at their 'subject' scan round them then bang them slap in the middle of the frame, frequently never stopping to think whether turning the camera through 90 deg to 'portrait' would cut out distracting back-ground, or include more of the subject or interesting for-ground. consequently, they get incredibly 'boring' photo's... not because they are 'bad' but, the viewer 'sees' everything that was put in it, at that first glance.
rule of thirds suggests you put a naughts and crosses grid on the frame, and place your subject not slap in the middle, but on one of the grid-lines, 1/3 over or up or down, preferably, subject dependent on the right, so that at 'first glance' the viewer doesn't pay the subject so much attention, then as they shift attention up to the top left and start scanning like a book, 'discover' the subject and take in a bit more detail... exact same subject, exact same shot, but JUST that slight skew, playing to the way our 'perception' works, suddenly makes it 'interesting'.
It also tends to conform to classical ideas of aesthetics and Athenian ideals of 'harmony' in the balance of thirds... you can do the same sort of perception trick on 5th's but doesn't work so well on the 'balance' bit, works well when you have a scene that's more dynamic and you want to emphasize the drama or tension but that's getting a bit 'deep' for a 2-week starter!
Fair bit, as such a newb to take heart from in there; you have avoided the cutsky cliche, you have avoided 'slap on centre' boring, you have got the focus bang on the eyes, and got a bit of selective focus, shallow depth of field working for you; plenty of pluses to build on... read up on composition, try turning the camera, look for alternative angles.... stay out of Post-Process! work on the basics of getting it Clean in Camera, you must have some of the right ideas and instincts.. so build on them.