LongLensPhotography
Th..th..that's all folks!
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- [Censored] Fruitcake Bat
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I am clueless what to do with nice super glossy metallic prints. I have one nice print which I'd like to frame for myself and quite likely offer this to paying customers in the future.
Would you go without glass as that avoids double reflections? How do you protect the print in that case, if at all? Specifically let's consider Olmec paper in this example.
Then what about normal glossy?
Baryta / gloss probably would be already happy behind quality glass and so would definitely pear, satin and photorag papers. But then what about those textured aquarelles?
These days just about every picture is framed under glass, but if you walk into an art museum that is no longer the case. There is hardly any glass there. Maybe it doesn't need to be there, just then you have to protect it and the materials here are quite different.
---
P.S. What glue would you recommend for mounting the print on the board?
Thanks.
Would you go without glass as that avoids double reflections? How do you protect the print in that case, if at all? Specifically let's consider Olmec paper in this example.
Then what about normal glossy?
Baryta / gloss probably would be already happy behind quality glass and so would definitely pear, satin and photorag papers. But then what about those textured aquarelles?
These days just about every picture is framed under glass, but if you walk into an art museum that is no longer the case. There is hardly any glass there. Maybe it doesn't need to be there, just then you have to protect it and the materials here are quite different.
---
P.S. What glue would you recommend for mounting the print on the board?
Thanks.