So symmetrical and seemingly sharp to the edges, Alf, that in a way one isn't sure where to look - I mean that one's attention flies about the picture without really finding anywhere to come to rest. Not to diminish your technical effort in producing it.
These are all technically flawed, despite having a good range of tones - but are emotionally engaging, and thus winners for me. The first contains a wonderful progression from the distant fall at the top to the churning pool in the foreground - this is emotionally satisfying and without pretence - relating directly to how we are and how we feel. Good that you didn't use an ND filter to blur the water more and remove it from how we experience things.
These are all technically flawed, despite having a good range of tones - but are emotionally engaging, and thus winners for me. The first contains a wonderful progression from the distant fall at the top to the churning pool in the foreground - this is emotionally satisfying and without pretence - relating directly to how we are and how we feel. Good that you didn't use an ND filter to blur the water more and remove it from how we experience things.
The second looks so unsharp that it has almost a Victorian postcard look.
The third is maybe the most awkward and it's about the tones - those blank greys of the leaves in front of the waterfall just don't satisfy. But yet again, it has something humanly and emotionally satisfying in it.
How do Yall' like my models? I think my Grands are so cool to let me take their pictures. They are literally inches away, for my 30 year old Minolta lens. The little one goes into pose-mode, he loves his picture taken.
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I agree about the lighting, but I really do like the close up "in yer face" aspect. Window light may have worked better?If I am to be honest, a bit too 'in yer face', with very flat, uniform (flash?) lighting that fails to flatter, and exposes spots and skin flaws rather harshly. Better to pull back just a bit, with natural lighting, and some very easy photoshopping on the 'spigs'. The focus has to be spot on too, on the eyes.
Thanks for the feedback. Yeah I noticed one spot but the 2 dark spots are seagulls out to sea.Jason, I feel your image lacks a focal point. I do enjoy vanishing point perspectives such as what you have given us here but believe it just needs something else within the scene for my eye to focus on.
I think a crop would help, just above the end of the handrails to make the image a panoramic.
Your sensor could do with a clean too, there are a few dust bunnies.
Anyway, here is the post that vanished. It was taken at the Tiverton Balloon Festival this year.
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Seriously - you were there???Get any of me?
I didn't notice your link at first - after I did I edited my post. I think that's your balloon in shot? I've got a few of that one, but probably better not post them here in the B&W thread!NO, the one in my avatar is my own balloon. I flew orange ones with blue spirals at Tiverton. G-CISB (the '56 in the video) on Friday evening launch with my wife and I took G-CISC a '77 out on the Saturday evening due to the "interesting conditions" (with a big lad who can take a few knocks) as it happened we got an unexpectedly good landing. Loved the festival, wish I'd spent more time in the arena.