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- Name
- Toni
- Edit My Images
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Generally I try to keep colours as natural as possible and saturation levels looking natural. However I've been exploring the effect these 2 sliders have when worked in opposite directions recently: it's been interesting and I wondered if anyone else did it?
Working with Nikon nef files, if I reduce vibrance by around 25-50 units and boost saturation to compensate then yellows & greens come to the fore while blues drop away, while keeping the image neutral. If I do the opposite and reduce saturation/boost vibrance to compensate then blue tones tend to come to the fore and yellow-greens drop back. The interesting thing about this is that it seems to simplify the colours a little, drawing the shades together. Examples:
Vib -52 Sat +40
Vibsat examples-9688 by Toni Ertl, on Flickr
Vib +21 Sat -26
Vibsat examples-9688-2 by Toni Ertl, on Flickr
It's not something I would use very much, but sometimes the effect can be interesting. I don't know if raw files from other camera types will behave in the same way.
Working with Nikon nef files, if I reduce vibrance by around 25-50 units and boost saturation to compensate then yellows & greens come to the fore while blues drop away, while keeping the image neutral. If I do the opposite and reduce saturation/boost vibrance to compensate then blue tones tend to come to the fore and yellow-greens drop back. The interesting thing about this is that it seems to simplify the colours a little, drawing the shades together. Examples:
Vib -52 Sat +40
Vibsat examples-9688 by Toni Ertl, on Flickr
Vib +21 Sat -26
Vibsat examples-9688-2 by Toni Ertl, on Flickr
It's not something I would use very much, but sometimes the effect can be interesting. I don't know if raw files from other camera types will behave in the same way.