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Both Gary and I posted up our thoughts on the d750 after only a day or two of use so a week is surely enough time to be able to make some valid assessment.
they want me to send my camera back to Canon for repair.
Youre within your rights and their terms to ask for a refund or replacement http://panamoz.com/index.php/faq/#warrantyWell, it seems as if they want me to send my camera back to Canon for repair, thats what they have suggested anyway Something has been lost in translation, Welsh and HK English/Chinese sounds a recipe for disaster..
They got back to me very quickly, so good service so far.
Youre within your rights and their terms to ask for a refund or replacement http://panamoz.com/index.php/faq/#warranty
depends how long they take to put the cash back into my account.
Had mine within 24 hours of them receiving the D810 back in HK.
They have just come back to me again and I have asked for a refund. They are arranging for TNT to collect tomorrow.
I might wait now until after Christmas to buy another one, depends how long they take to put the cash back into my account.
Printed off the forms and let Tina know when I wanted it picked up and she arranged the pickup ... TNT came, filled out the forms and took the package, then 24 hours after received in HK and my bank details were provided the money was back in my account - couldn't have been easier really
Simon, will you be getting another D750 or going back to the Fuji? Still stirring in my mind if I go for an XT-1 or a D750. Not much in price difference in Panamoz with the XT-1 + 18-135 lens and the D750 with lens.
Simon, will you be getting another D750 or going back to the Fuji? Still stirring in my mind if I go for an XT-1 or a D750. Not much in price difference in Panamoz with the XT-1 + 18-135 lens and the D750 with lens.
To be honest I have some doubts about the Nikon and I think for my use the JPEGS aren't any better than the XT1 IMO, although I was using better glass on the Fuji. I have been a little disapointed, perhaps I was expecting too much and I haven't been comparing properly due to the old glass I have been using on the Nikon.
My plan was to get a 300mm f4 to use on the Nikon by say March next year, so maybe I'm a little critical with the Nikon with the glass I have been using, a Sigma 28-70mm f2.8-4 and a Nikon 75-300mm. I had this Nikon lens on my D7000 and for me it was a fantastic performer and I also used on a D700 for a week when I borrowed my mates camera., To me my Fuji 50-230mm seems to have a more pleasing output... The Nikon lens I have now, is maybe a little softer than my old one or the D750 is way too good for it. One of the reasons I also bought it, was it has a built in tripod collar as I was using for birds in the garden on a tripod.
I have taken about 300 RAWS and I will process them next week in LR and see how they come out, I will have a better idea then. The Nikon software is so slow on my computer I have removed it.
I thought the AF and low light performance on the Fuji XT1 were good until I tried the Nikon, you can't compare them, the Nikon blows the Fuji out of the water.
So in summary I'm up in the air at the moment. I think I will try another D750, I may go to Carmarthen Cameras to see if they have a 300mm f4 to try on the body and see the output with better glass.
I used to be indecisive but I'm not so sure now
Could be the glass but id put it down to Fuji jpg being very good and Nikon jpg being mushy and not very good,
You seem to live in a state of confusion - REALLY look forward to ANY images you post . 300mm NEXT year !! why not get (too late now) didn't you get decent glass to go with your 750 ! You are probably a retailers worst nightmare.It will be interesting to see when I process the Nikon RAWS next week. I knew I wasn't buying the best glass but the 75-300mm worked for me previously.
I have invested in this camera first and knew I would need better glass to get the best out of it, I was a bit dissapointed with the JPEG's compared to Fuji and I was probably expecting more. I know the Fuji JPEG's were good but didn't expect the Nikon to be so bad?
You live and learn.
You are probably a retailers worst nightmare.
You seem to live in a state of confusion - REALLY look forward to ANY images you post . 300mm NEXT year !! why not get (too late now) didn't you get decent glass to go with your 750 ! You are probably a retailers worst nightmare.
I quit shooting pro rugby early this year using a D4 and D3S and if i ever took it up again theres absolutely zero doubt that i would buy 2 x D750's rather than a D3s/D4/4s, to me, the D750 AF kicks the ass of all those cameras and the high ISO handling is better as well, 6.5fps might hold some pros back but then i never did scatter gun, i preempted the action and fired short bursts.I received my D750 today. Just done some very brief initial testing and it's very impressive indeed - the AF capabilities in virtually complete darkness are astonishing - and the outer AF points are damn near as good as the 9 in the middle, they just 'work' - truly superb AF.
You seem to live in a state of confusion - REALLY look forward to ANY images you post . 300mm NEXT year !! why not get (too late now) didn't you get decent glass to go with your 750 ! You are probably a retailers worst nightmare.
Further to my previous post about AF in near darkness, thought I'd test the dynamic range/shadow recovery too. I decided to push the camera to the limit, and took a photo out of a back window (it won't win any awards....), exposure compensation at -5EV (yes, that's 5 stops!).
Below are three images - the original, the adjusted one after PP, and a 100% crop. 24-120 f/4G lens, 1/20th, 120mm, f/4.5, ISO 50. The light was really poor too. Pretty impressive stuff. Yes, it looks a little iffy at 100% - but it was 5 stops underexposed!
Similar have been posted before by Ross Harvey, If they don't make you want the camera I dont know what will. How many cameras can do that?
Yes I know, but from reading the specs, the D750 can shoot in cropped mode and therefore this DX lens would work, which is why it would not be showing the D750 capabilities off to the max. If I have understood everything correct?!Jim the 16-85 is not a full frame lens
Apologies for the 'walkaround' phrase, but we all know what I mean. I 'm after a 'versatile' lens for the initial jump into the world of FX.Anyone else's teeth itch with the phrase 'walkabout lens'?
Thanks, and it looks like it would be a fairly sensible first lens so I think it would be worth the extra.Jim, the 24 120 is getting good write ups for the versatility/performance/price …… presumably they would not bundle it with the D750 if it were to show the D750 in a negative light.
The bundle price is cheaper than buying the lens separately - I don't think you have much to loose by buying the bundle …..you can always sell the lens …. I'd give it a try
Anyone else's teeth itch with the phrase 'walkabout lens'?
Or Tog
Headbutts wall.
The 1/4000 can be a issue in high sunmer but typically stopping down to f2.8 is enough.