I know you like your pics as they were in camera, but were you not tempted to crop the bird out on the left? It's a great photo otherwiseFortunately my fall on rocks which then needed 8 stitches and a CT scan, happened at the end of my trip.
This shot of courting wild Greater Flamingos was at 254m/833ft on Olympus 300mm Pro + MC-20 (equivalent 1,200mm) on M1X handheld. More info on Flickr.
GREATER FLAMINGOS COURTING by Robin Procter, on Flickr
exactly what I told the stubborn old gitI know you like your pics as they were in camera, but were you not tempted to crop the bird out on the left? It's a great photo otherwise
Fortunately my fall on rocks which then needed 8 stitches and a CT scan, happened at the end of my trip.
This shot of courting wild Greater Flamingos was at 254m/833ft on Olympus 300mm Pro + MC-20 (equivalent 1,200mm) on M1X handheld. More info on Flickr.
GREATER FLAMINGOS COURTING by Robin Procter, on Flickr
Lovely light you've got there Robin and nice interaction. I saw some flamingos in Portugal in November, but sadly nice light was lacking.Fortunately my fall on rocks which then needed 8 stitches and a CT scan, happened at the end of my trip.
This shot of courting wild Greater Flamingos was at 254m/833ft on Olympus 300mm Pro + MC-20 (equivalent 1,200mm) on M1X handheld. More info on Flickr.
GREATER FLAMINGOS COURTING by Robin Procter, on Flickr
Yes I see your point, although I did clip him in a few other frames.... Maybe it wasn't the distance you wanted but I like its tight and tense composition which captures the energy.
I know you like your pics as they were in camera, but were you not tempted to crop the bird out on the left? It's a great photo otherwise
Is that the same lake as the pelicans? Didn't know they were in Greece.
The EM5-III will come down in price soon on the grey market I reckon. The plastic construction does sound disappointing but it might not be bad in real life.I imagine there's already a discussion buried somewhere in this thread about this, but what are people's feelings about the E-M5 iii? I've used the the i and ii for years and love them but they've never been a 100% solution for me because they were hopeless at following movement. The new camera seems to fix that and allows USB charging which for various reasons is a major plus for me, however... two biggies holding me back. One, I'm massively disappointed that it's moved towards a more plastic construction. I'll reserve final judgement until I've held one but I have a feeling I'll miss that solid, precision feel of the ii. And secondly at £1000 for body only, and no grey importers flogging it cheap, it makes it about £250 more expensive than the E-M1 ii can be bought for. The E-M1 ii is looking great value right now but I'd have loved USB charging and they're bigger than I need or want at times. There's no real question here. Just my own musings but I wonder if anyone else has the same thoughts or indeed any owners that might put some of my concerns to bed.
Are you talking the EM1 though? For me the EM1 mark I, EM5 and EM5-II are all pretty poor for c-af imo and prove very frustrating. Following big may be one thing, but nailing focus with a high percent rate is another. The difference between the EM1 and EM1-II in c-af is absolute night and day.In all honesty I don’t find following movement hard with the mki and b.i.f are no problem at all with the mkii ,plenty of photos on here to prove it to
The E-M5III feels OK in the hand not to plasticky I found when I tried it.The EM5-III will come down in price soon on the grey market I reckon. The plastic construction does sound disappointing but it might not be bad in real life.
That’s not exactly what I meant though ,I’m still early days with the mki but so far not found it to bad at All and certainly not impossible , and yes the mkii is a different ball game entirely . But to say that either is “ hopeless” is simply not fair on the cameras .Are you talking the EM1 though? For me the EM1 mark I, EM5 and EM5-II are all pretty poor for c-af imo and prove very frustrating. Following big may be one thing, but nailing focus with a high percent rate is another. The difference between the EM1 and EM1-II in c-af is absolute night and day.
That’s not exactly what I meant though ,I’m still early days with the mki but so far not found it to bad at All and certainly not impossible , and yes the mkii is a different ball game entirely . But to say that either is “ hopeless” is simply not fair on the cameras .
The EM5-III will come down in price soon on the grey market I reckon. The plastic construction does sound disappointing but it might not be bad in real life.
Hopeless is probably unfair yes, but they are frustrating especially when you are used to a camera with good c-af. Also the lens plays a large part, put the 100-300mm or 75-300mm on the EM1 or EM5-II and the hunting at the tele end soon raises your bills pressureThat’s not exactly what I meant though ,I’m still early days with the mki but so far not found it to bad at All and certainly not impossible , and yes the mkii is a different ball game entirely . But to say that either is “ hopeless” is simply not fair on the cameras .
The E-M1 has phase detect, I was talking about the E-M5i and E-M5 ii, neither of which have that. It does make a big difference. I just took a quick scan through my LR catalogue and I've only kept three photos from my E-M5 ii where subjects are moving towards the camera. Hopeless is maybe harsh but I simply could not trust the E-M5ii at all for that stuff. I remember taking it to spectate the great North Run. Mo Farrah ran right past us and despite picking him up from a long way out with the 40-150 pro, every shot was out of focus. I didn't keep any. I'd intended to take pics of my dad who was also running. Same story, spotted him a good distance away but it simply wouldn't track him. Dog at the beach, nope. Kids playing, not a chance. I love these little cameras but it's really not their forte at all. My DSLR is a D800 which is noted for not being Nikon's finest hour in terms of AF-C but it's miles ahead of the E-M5ii.
But interestingly I borrowed an E-M1ii via Test and Wow for a rally several months ago and it was flawless. Stuck to stuff fantastically to the point where I stopped even thinking about AF, I knew it would nail it. big cars aren't necessarily the trickiest subject so before I gave it back, I messed around with it getting our black cat to walk towards it and it pretty much nailed that everytime too. That was a total revelation for me with M4/3 as up to that point I'd had that down as the one big drawback.
So I'm very excited to see that AF system squeezed into the E-M5 body but concerned about the plastic. But as @alfbranch says, I really should go and see for myself.
FWIW
A thread about an apparently one off failure of the tripod mount on the EM5mk3
https://www.dpreview.com/forums/thread/4459145
PS for the faint hearted it does not make good reading....................especially if it should turn out to be a component failure ~ as in how many of the poor parts are 'out there'?
I know you like your pics as they were in camera, but were you not tempted to crop the bird out on the left? It's a great photo otherwise
exactly what I told the stubborn old git
Cool, I'm also interested in the 12-45mm f4, particularly how light and small it is (or isn't)Olympus OMD EM1 MK III announcement on the 12th Feb
https://www.43rumors.com/ft5-olympus-e-m1iii-will-be-announced-on-february-12/
Olympus OMD EM1 MK III announcement on the 12th Feb
https://www.43rumors.com/ft5-olympus-e-m1iii-will-be-announced-on-february-12/
looks promisingOlympus OMD EM1 MK III announcement on the 12th Feb
https://www.43rumors.com/ft5-olympus-e-m1iii-will-be-announced-on-february-12/
Thats a stunning photo..... I always was going to create a further cropped variant (in Capture One) but it makes more sense to firstly post-process the maximum area of an image that I foresee possibly using.
So, here is the cropped picture and I do agree with you both that it is visually stronger as a result :
GREATER FLAMINGOS COURTING by Robin Procter, on Flickr
This opened my eyes a lot this morning. Like many on here I can get 'obsessed' by having to have the 'best' or sharpest lens, and then I see shots like these taken with the £100 pancake 'kit' lens supplied with the entry level Ollies and see that they're better than anything I've shot. OK so street's not my forte and not something I've done a lot, but still. It makes me wonder why I bother paying the price carrying heavier gear around.
https://robinwong.blogspot.com/2015/09/5-reasons-why-your-kit-lens-is-awesome.html
Went to visit my week old nephew for the first time at the weekend, took the EM1mkii and 12-40mm for some family shots, but snuck in the 100-400 as I know they often have Red Kites around, and we did indeed see some on a short walk. Really need to learn better technique for BIF and to process my images this year, these are effectively SOOC with the odd crop, but confident the kit can deliver, I just need to improve on my part. Anyway, this is what I got.
P1190176 by alligator1975, on Flickr
P1190207 by alligator1975, on Flickr
P1190202 by alligator1975, on Flickr
Was nice to see some sun at last!
.... I always was going to create a further cropped variant (in Capture One) but it makes more sense to firstly post-process the maximum area of an image that I foresee possibly using.
So, here is the cropped picture and I do agree with you both that it is visually stronger as a result :
GREATER FLAMINGOS COURTING by Robin Procter, on Flickr