Very nice processing, but I can't decide if you're going for a '40s or '50s theme. The style suggests '40s, the location says '50s, the model's posture and expression says modern day (not that there really seems to be much animation/emotion in her expressions).
I think the fifth is the most interesting, do you have a version without the flowers?
not sure how an expression can be modern day, looking sad and "down" was the theme we went for given that we had to change things due to unprofessional male model... anyway... no sorry i dont have a version without the flowers .Very nice processing, but I can't decide if you're going for a '40s or '50s theme. The style suggests '40s, the location says '50s, the model's posture and expression says modern day (not that there really seems to be much animation/emotion in her expressions).
I think the fifth is the most interesting, do you have a version without the flowers?
lol did the best i could given that i wasnt going to spend in the region of £100 for 40s style bootsThe carriages are 1950s+, the models' look to me is late 1940s, but the ankle boots are definitely 2015! [pedant mode off]
They're gorgeous (*except no2) but I'd prefer consistent processing, if they're a 'set' they should look like one IMO. No 5 is my favourite though, the light is superb (although her hand is a little 'hot' if I'm being really picky).
*the harsh flash shadow completely spoils it for me.
the only one i lit was #2 the rest are all natural lghtThese look very cool to me. Really like number 1 so this would be my fave just really like the cold tones along with thst warm red lippy and pale face.
All great to view though.
If you don't mind telling. Did you light them all ?
Gaz
Thanks Fthe only one i lit was #2 the rest are all natural lght
storyline was meant to have a male model but he let us down so we went with the abandoned bride one.....
should clarify that none of few of my images are meant to go together as a set in any real terms
looking sad and "down" was the theme we went for given that we had to change things due to unprofessional male model...
I know you're experimenting with different processing across the images, but a themes shoot presented as a group will always be taken as a set by viewers and the opening post suggested a storyline which would indicate a themed set of images to be taken together.as i already explained they are NOTa set they just all happen to be from the same shoot. which is why the processing is different.
I'm afraid the model has got the modern "pouty" look down to a tee, and I'm not seeing "sad" or "lonely" in any of her expressions. Which may be a good thing, no woman I know would look sad or lonely at being stood up on the platform - I'm pretty sure my partner would be alternating between worried/concerned and seriously pi$$ed off*not sure how an expression can be modern day, looking sad and "down" was the theme we went for given that we had to change things due to unprofessional male model... anyway... no sorry i dont have a version without the flowers .
I know you're experimenting with different processing across the images, but a themes shoot presented as a group will always be taken as a set by viewers and the opening post suggested a storyline which would indicate a themed set of images to be taken together.
I'm afraid the model has got the modern "pouty" look down to a tee, and I'm not seeing "sad" or "lonely" in any of her expressions. Which may be a good thing, no woman I know would look sad or lonely at being stood up on the platform - I'm pretty sure my partner would be alternating between worried/concerned and seriously pi$$ed off*
I think that's why the fifth one works the best, there's a hint of concern and at the same time an impression of whether he comes or not, she's taking that train and going.
The processing is good (although like Phil I'm not keen on the lighting in #2), it's the posing and expressions that let things down.
* with an emphasis on the p'd off.