Not sure what I’ve got set up wrong with my R5. but if I ever spin the rear dial and the front dial it always alters the exposure compensation! Really annoying but I can’t figure out how to turn it off, any ideas?
Firstly make sure the switch on your lens is over at the AF position. Have you tried different lenses to eliminate the lens from the equation? Are you using an EF-RF adaptor?Problem with Canon R5, if anyone can help.
I have been trying different settings with the menus. Someway somehow I have lost the focus point in the view finder and cannot change from manual focus to Auto focus.
Help would be much appreciated.
Thanks I’ll give it a go!Orange Menu 3 -> Customize Dials
Thanks for your reply. I have found the problem, I don't know how it could happen but the lens attachment to the camera body had somehow come slightly unscrewed, just gave it a slight twist and now everything seems okay.Firstly make sure the switch on your lens is over at the AF position. Have you tried different lenses to eliminate the lens from the equation? Are you using an EF-RF adaptor?
I can tell you that 35mm art is working beautifully on both 5ds and R6...Do all Sigma lenses have a problem with Canon mirrorless camera? I have only researched the 100-600 C as that is the only FF Sigma lens I have.
An honest appraisal for once rather than the usual mirrorless hyperbole?I have to say I have mixed feelings about R6. Image quality and noise in particular is notably better than 5d3 where heavier lift is required. Ibis is wonderful. Af appears to be an improvement. Now battery life is an absolute joke and evf turned out far worse than expected (and I had very low expectations) in outdoors situations and totally unusable for real estate work. I'm bloody screaming. If video works out then fine otherwise I just wasted 2k on a good sensor in a really crap body that should have never been released in the current state. Even their phone app screen is s***. They really made sure end user interface is as terrible as possible
I'm back to DSLRs for most of my photo needs and 100% of Tripod work
That lens and video was essentially why I bought it. It transforms the lens from tripod or 1/1000s handheld shooting into very handholdable package as low as 1/100s, or slower than subject movement. And it has ridiculous sharpness wide open. I would say it just about beats 100-500. For birds in low contrast environment this is an easy sell. And get r5 if you can because you can crop more and lens is still perfectly sharp.I was fortunate enough to attend the Goodwood Revival at the weekend and my ancient Canon 1DX and 400 L 5.6 hardly missed a beat.
In a backlit room with brown wooden furniture you don't see a thing just contrasty outlines. Almost just white and black. Out of despair I set profile to faithful, contrast -4, full light optimiser, and that just barely lifted it a touch. I can't compose a shot and adjust furniture placement like that, I can't see what's going on. Adjusting cpl is outside fantasy zone. It's like you have to shoot blindly.@LongLensPhotography can you expand to explain the problems? I don't have R6, I have R5. With R5 I don't recognize any of the issues noted. In case you're wondering, I shot hotel rooms with the R5 last week with no issues at all.
I have to say I have mixed feelings about R6. Image quality and noise in particular is notably better than 5d3 where heavier lift is required. Ibis is wonderful. Af appears to be an improvement. Now battery life is an absolute joke and evf turned out far worse than expected (and I had very low expectations) in outdoors situations and totally unusable for real estate work. I'm bloody screaming. If video works out then fine otherwise I just wasted 2k on a good sensor in a really crap body that should have never been released in the current state. Even their phone app screen is s***. They really made sure end user interface is as terrible as possible
I'm back to DSLRs for most of my photo needs and 100% of Tripod work
An honest appraisal for once rather than the usual mirrorless hyperbole?
I have a Fuji system for when I want to travel light, but for everything else I use DSLR.
I was fortunate enough to attend the Goodwood Revival at the weekend and my ancient Canon 1DX and 400 L 5.6 hardly missed a beat.
Bird photography is my passion and is the only reason I would buy a Canon mirrorless camera given the eye/animal detection and AF system.
I have been using EVFs for a long time now, and current ones are really amazing to ones I had to put up with when I first started using EVF like 9 years ago. Then EVF had a number of limitations.I tried an R5 at the photography show earlier this week. I'm not sure if the EVF was set to 60fps or 120, but it was rubbish looking through there to my eyes, coming from a nice optical one. How do people find it after having come from the likes of the 1D's and 5D's? I'm wondering if it was 60fps as it surely couldn't be that bad
As above I find it absolutely unusable in more contrasty situation. There are sadly no alternatives for video capture and there you don't need to use the evf and that's thatI tried an R5 at the photography show earlier this week. I'm not sure if the EVF was set to 60fps or 120, but it was rubbish looking through there to my eyes, coming from a nice optical one. How do people find it after having come from the likes of the 1D's and 5D's? I'm wondering if it was 60fps as it surely couldn't be that bad
Lucky you. I found it more than capable of poor exposure and blackouts and even evf stutter is still the thing until you go to z9.Combined with the latest AF tech like eyeAF and blackout free shooting, I almost never need to check my pictures for exposure or focus. Basically means I never need to chimp.
My current body does have shutter blackout but my previous body did not (sony A1). Canon R3, Sony A9/ii are also capable of shooting without blackout.Lucky you. I found it more than capable of poor exposure and blackouts and even evf stutter is still the thing until you go to z9.
Af is better for sure
Perhaps you can explain how it works then because I just see a preview of an image according to some irrelevant jpeg prole from the menus with arbitrary brightness that you can even adjust in menu. You can only go off histogram which is both tiny to spot small blown parts and very inaccurate (it's a JPEG version devoid of true dynamic range), meanwhile it still obscures a good bit of viewfinder. I don't know if Sony behaves better but canon still behaves like it's 2006You seem to have missed my point on WYSIWYG, any camera is capable of poor exposure but that is really on you. And thanks to the EVF you will know the exposure is poor without needing to chimp.
I can’t imagine a camera being set up to the lowest spec at a photography show, unless someone before you either set it by mistake or intentionally.I wonder if the one I used was set to 60fps. I found it laggy when moving the camera around at reasonably close range. It’s better than ones I’ve had on other cameras in the past but I was expecting more to be honest. Worth a test drive over a couple of days probably
They were, and in fact I changed a lot of them up to highest spec and seen almost no difference. The way the R6 come setup from factory is aimed at auto mode beginners, There is no way it is a professional grade camera even if the sensor is right up there.I can’t imagine a camera being set up to the lowest spec at a photography show, unless someone before you either set it by mistake or intentionally.
Perhaps you can explain how it works then because I just see a preview of an image according to some irrelevant jpeg prole from the menus with arbitrary brightness that you can even adjust in menu. You can only go off histogram which is both tiny to spot small blown parts and very inaccurate (it's a JPEG version devoid of true dynamic range), meanwhile it still obscures a good bit of viewfinder. I don't know if Sony behaves better but canon still behaves like it's 2006
You still need to review every shot which is ironically harder due to changed button layout and assignment.
Forgive me for suggesting that this is 2 stops underexposed. At least. You had plenty of room to go way higher with ISO before seeing any noise.This morning I was shooting towards the sun with EC set to -1 without an issue. Being able to see the exposure in the EVF helped to get the exposure correct for the look I was going for. I am noticing the EVF seems to be lighter than the rear screen, but the EVF is similar to the photos when I've imported them to Lightroom. That's something for me to be aware of. TBH I don't use the rear screen that much now as everything can be done through the EVF.
Canon R6 RF100-500
ISO250, f7.1, 1/320sec.
Err no.... that's not how it works. So you are saying it is better to see far less colour and dynamic range than your scene contains, and in fact less than RAW files contains as opposed to seeing all of it and making qualified decisions.... This is making life very difficult.Not sure I entirely understand.... What does jpeg have to do with anything it is just a image format?
Essentially your eyes (through OVF) has far more dynamic range (~20+ stops) than your camera sensor (~12-15 stops) which has more dynamic range than the EVF (~9-10 stops) which has slightly more DR than monitors (~8-9 stops?) and there is further loss when you print.
So what you see in the OVF is hardly what your camera can capture and definitely no where close to what you can perceive on your monitor at home. EVF gives the closest impression to what the end result will be like.
Again sensor is capable of 14bit capture in one go vs contrasty 8bit preview. I for once need to know where captured data begins and where it ends, not the very middle of it.That's the whole point of WYSIWYG.
Did you try the R3?They were, and in fact I changed a lot of them up to highest spec and seen almost no difference. The way the R6 come setup from factory is aimed at auto mode beginners, There is no way it is a professional grade camera even if the sensor is right up there.
At least Canon admit they are not ready to call this concoction their flagship. So they called it R3. And R1 is still nowhere to be seen and probably for a while. Nikon are a little braver, but you never know, they might release Z1 and call Z9 a second tier product...
I briefly had it in my hand in the show. There was little point spending much time on it because of the price tag and same low 20s MP. It felt more responsive, but EVF didn't feel like a major leap forward - pretty much same as R5 or slightly better than R6. The shape is so much better on these but its hard to justify spending so much for that alone. Perhaps there is more in the details. I would rather have Z9 at that price point, and actually some change for a mid level lens.Did you try the R3?
It was deliberately shot as a darker exposure to capture the golden backlight. Perhaps it is a bit too dark. I've boosted exposure below by 0.6 in Lightroom. If I boost it more it becomes more washed out and less of the look I was going for.Forgive me for suggesting that this is 2 stops underexposed. At least. You had plenty of room to go way higher with ISO before seeing any noise.
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You shouldn't be afraid to fill the whole histogram. Specular highlights are 2 stops under and I would call them deep brown rather than golden. Of course you would have no idea if you are looking at EVF with high brightness setting in a dark environment and no RAW histogram to go with.It was deliberately shot as a darker exposure to capture the golden backlight. Perhaps it is a bit too dark. I've boosted exposure below by 0.6 in Lightroom. If I boost it more it becomes more washed out and less of the look I was going for.
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