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Another one from the borrowed LF
Out of Date Fuji 160ns
Messing about on the River Wey by Captures...Moments....Forever, on Flickr
Is that from the ancient stuff you traded for? Pretty impressive!
Another one from the borrowed LF
Out of Date Fuji 160ns
Messing about on the River Wey by Captures...Moments....Forever, on Flickr
Is that from the ancient stuff you traded for? Pretty impressive!
View attachment 21670
View attachment 21671
A couple of big machines at Arkwright Opencast Site. Taken on a Bronica ETRSi with a 40mm Lens on to Portra 400.
That last one is really lovely, very dynamic, a great shot. I also very much like the third, presumably longish exposure. It's pot luck, but I think you were pretty lucky with the movement there, and the woman in the front keeping still. And the first, more ordinary perhaps, but the eyeballing from that bloke in the middle is great.
If these are the rejects, you'll be on the points!
I think you may have made a tactical error Carol, these are very good indeed. I think 2 & 3 are extremely good and would both have been good scorers.
Andy
Really great set of street shots, love the first two particularly!A few from my visit to Glasgow at the weekend, I was going to keep one of them for POTY theme "Street" but decided they were not going to be good enough, not that it would make that much difference to my points anyway!
The Street by MrsR66, on Flickr
Walking the Walk by MrsR66, on Flickr
Rush Hour by MrsR66, on Flickr
Market Trader by MrsR66, on Flickr
Shadow on the Train by MrsR66, on Flickr
@Crtm Great series of images there but Rush Hour is just superb! It's amazing how much movement there can be in a still image, absolutely love it.
@Crtm Great series of images there but Rush Hour is just superb! It's amazing how much movement there can be in a still image, absolutely love it.
A few from my visit to Glasgow at the weekend, I was going to keep one of them for POTY theme "Street" but decided they were not going to be good enough, not that it would make that much difference to my points anyway!
A nice set of images, but the Rush Hour photo is especially strong. It's nice to see a bit of movement and dynamism, characteristics that are often ignored or minimised in the never-ending, and possibly overvalued, quest for sharpness.
That's crying out for a thread to itself - I'll do the honours shortly.
A few from my visit to Glasgow at the weekend, I was going to keep one of them for POTY theme "Street" but decided they were not going to be good enough, not that it would make that much difference to my points anyway!
Rush hour is a cracker. Step aside Moriyama.
Now you just need to take a picture of a wild-eyed street dog, and that's your career sorted ;-)
... some women clad in fishnet tights ...
RJ, didn't you take any stinkers while you were there? I'm getting depressed with this continuing stream of great shots!
Skysh4rk they are great I especially love the pig and the simplicity of the window.
Anyway, aren't you going to Majorca soon, Dean?
That should surely cure any depression!
RJ, didn't you take any stinkers while you were there? I'm getting depressed with this continuing stream of great shots!
They need to be out of focus, metered incorrectly and suffering from, what we call in our house, 'wonky eye syndrome'
I was thinking the same. I vote for banning RJ until he posts at least five useless shots.
And 'uninteresting' doesn't count. They need to be out of focus, metered incorrectly and suffering from, what we call in our house, 'wonky eye syndrome'
I don't often have bad exposures and my preference for waist level finders greatly reduces problems with missing focus and wonky composition, although I suppose it took a lot of practice to get as comfortable as I am with the WLF.
My error rate grows considerably, however, whenever I try to use my little autoknips timer with my SQ-A in order to get myself into a few photos:
View attachment 21746
God damn it. That's the most 'fine art' shot on the thread.
I really like this shot, it kind of reminds me of the film "Ghost".I don't often have bad exposures and my preference for waist level finders greatly reduces problems with missing focus and wonky composition, although I suppose it took a lot of practice to get as comfortable as I am with the WLF.
My error rate grows considerably, however, whenever I try to use my little autoknips timer with my SQ-A in order to get myself into a few photos:
View attachment 21746