Any views on the Leica V-LUX ?
Does it fall in this group?
"The Leica V-Lux (Typ 114) is a superzoom camera that features a 1"-type, 20.1 megapixel CMOS sensor along with an F2.8-4.0 25-400mm lens. The lens uses Panasonic's Depth-from-Defocus technology, which allows extremely fast autofocus speeds. The V-Lux is powered by a quad-core image processor which not only allows for fast performance, but also 4K video recording at 30fps. Photos can be composed on a 3" fully articulating 921k dot or an OLED electronic viewfinder with 2.4 million dots. The V-Lux also has built-in Wi-Fi with NFC for easy photo sharing via your smartphone."
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"The Panasonic Lumix DMC-GH4 looks an awful lot like its predecessor, the GH3, but don't let that familiarity cloud the fact that this is one of the most capable stills/video cameras we've ever seen. Panasonic's message about listening to professional videographers is also familiar but the extent to which they're catered-for is unpredented on a camera with such a mass-market price tag.
Just like its predecessor, the GH4 wraps its sealed magnesium alloy body around a 16MP Four Thirds sensor. But that shouldn't be taken to mean that the GH4 is a minor update. The most striking difference is that the GH4 can capture 4K footage (both in the DCI 4K and UHD 4K resolutions), but the extent to which the GH4 supports a professional workflow is arguably just as significant.
The stills photographer using the GH4 benefits from a number of performance and usability improvements. Most obvious is a more capable shutter which can fire as quickly as 1/8000th seconds and syncs with flashes at up to 1/250th of a second. Continuous shooting is boosted to 12 frames per second, 7.5fps with continuous focus. Focus tracking should also improve, thanks to Panasonic's 'depth-from-defocus' (DFD) technology which attempts to assess how out-of-focus the lens is, based on profiles of how the company's lenses render out-of-focus regions.
But, as mentioned before, it's the video capabilities and the supporting features that make the GH4 such a striking camera. In addition to the 4K, the GH4 also includes focus peaking, two zebra settings (to highlight over-exposed regions) and control over Master Pedestal (black level) and luminance scale (16-255, 16-235 or 0-255). The camera can also generate color bars (for calibration) and the ability to express shutter speed and ISO in terms of shutter angle and gain. Not all of these additions will be useful to everyone (in fact I'd wager that nobody will make use of all the new features), but, whether your background is stills or video, the GH4 is likely to offer plenty of tools to support your video making."
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"Olympus has unveiled the OM-D E-M5 II. Picking up where its successor left off, the E-M5 II continues to offer weather sealing and 5-axis IS while adding a redesigned 16MP Four Thirds sensor and 5-axis image stabilization. The E-M5 II also boasts a 40MP high resolution shot mode, achieved by shifting the sensor in half-pixel steps and capturing eight images over a period of one second.
The E-M5 II also offers a built-in 2.36 million dot EVF, Wi-Fi and an articulating 3" 1.04 million dot touchscreen LCD. It's capable of 10 fps shooting with single AF (5 fps C-AF), as well as 1080/60p video capture with headphone and microphone jacks.
The camera will be bundled with a dust- and splashproof FL-LM3 flash. Other optional accessories launched for the E-M5 II include an HLD-8 dustproof and splashproof power battery holder and an EE-1 External Dot Sight, similar to the built-in sight on Olympus's SP100 superzoom. Also announced is a PT-EP13 Dedicated Underwater Case, capable of diving 45 meters with the E-M5 II. "
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My personal choice would be Oly Em5- 2 
