The Amazing Sony A1/A7/A9/APS-C & Anything else welcome Mega Thread!

2nd Sunrise of last week....

Nowhere near what I wanted. The forecast was clearer than this & low tide made the 'harbour' area to the right side a bit unpleasant for the planned wide panorama, so I framed without it & just went with the immediate headland & the cliff layers fading into the distance.



*** by Lee, on Flickr
Watermouth, looking towards Hangman/Combe Martin?
 
I've had samyang 75mm twice...
One new and one used described as mint
Both came with s*** tons of dust for a new/mint lens. So returned both!

It performed ok-ish... Wasn't sharp across the frame till f/5.6. it's perfectly good wide open as long as your subject is centre to mid frame.
To be fair I didn't check edge to edge sharpness as I'm only usually interested in the centre with a lens of this type :runaway:
 
Noodle maker 18mm arrived this morning. Bit of a panic when my A7CII, A7r4a, A74’s and even my A9’s couldn’t detect that a lens was attached. Quick bit of googling and found I wasn’t the only person to experience this.

Connected to lens station and it couldn’t connect to it either. Another bit of googling and found a way to force a firmware update even when lens station shows as not connected and working fine now.
 
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To be fair I didn't check edge to edge sharpness as I'm only usually interested in the centre with a lens of this type :runaway:
Don’t suppose you still have any images shot the 75mm mate?

How was a.f speed?
 
Don’t suppose you still have any images shot the 75mm mate?

How was a.f speed?
AF speed was decent from memory, although I didn't take anything too taxing. I'll have a rummage around to see if I still have anything.
 
They missed up have fixed it now was listed at ex vat price some people got orders through
It still seems to be available for that price - can still add to your basket for that price anyway.

It's £1,607 exc VAT, so £1,928 inc VAT, so when you add the voucher code for £250 off it comes down to £1,678 inc VAT
 
I took my A7 and Sony 55mm f1.8 out yesterday and I was sure I could see those extra 5mm of tightness over my 50mm lenses. I'm going to try and give it a good road test as it's quite a while since I used this lens.
 
I took my A7 and Sony 55mm f1.8 out yesterday and I was sure I could see those extra 5mm of tightness over my 50mm lenses. I'm going to try and give it a good road test as it's quite a while since I used this lens.

It always felt like a short telephoto to me.
 
A couple of A7 and Sony 55mm f1.8 pictures.

We went for an in car picnic in the rain. I remembered this lens as being sharp across the frame from wide open. This is at f8 and it probably looks a bit soft here. It is sharp on my screen. I had to wait and hope as I wanted at least one bird in the frame before the people disappeared out of it :D

DSC05052.jpeg

Mrs WW, comfortable in the car enjoying the picnic whilst I'm out in the rain. f1.8.

DSC05059.jpeg

I'll have to take this 55mm and a 50mm lens out with me and take some comparison shots to see if this phobia I have over the 55mm being 55mm is justified or all in my head :D It's definitely different and obviously noticeably different to 35mm.
 
Hey hey how you been?

I'll start posting pics again

How've I been? Last year was the worst of my life and this year isn't any better... Family bereavement and related family issues. Hope you and yours are keeping well,

I'm still the same happy snapper, still using my ancient A7 and often with manual lenses although with these I've mostly moved from old film era primes to modern ones.

Good news on the picture posting. You should post some and an update on your photography since you were last a regular here. As I remember your pictures were outstanding.
 
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Oh er... Something...

Someone came up to me as I was taking a picture the other day and we got chatting. He's a Canon DSLR owner with "a long lens and another one" who seemed interested in birds and cars. He seemed slightly phased at what I was doing and the look of my A7 with my Sony 55mm f1.8 attached and chatting to him about the picture I'd just taken and my and his photography in general it quickly became clear that he had little to no idea about the every day but still more technical aspects, DoF, shutter speed etc. I think he just uses green square mode and there's nothing wrong with that.

I've met people like this before and I expect that there are quite a few who just get on with it, ignore a lot of the technicalities and enjoy their hobby this way.
 
How've I been? Last year was the worst of my life and this year isn't any better... Family bereavement and related family issues. Hope you and yours are keeping well,

I'm still the same happy snapper, still using my ancient A7 and often with manual lenses although with these I've mostly moved from old film era primes to modern ones.

Good news on the picture posting. You should post some and an update on your photography since you were last a regular here. As I remember your pictures were outstanding.
Ahh Damm ok. Hope you are on the up!

That's great that your still using the a7. Any one doubting the reliability of a Sony mirrorless should speak to you lol.

Yes I been busy. Diddnt take much pics during lockdown and then after that I was focus on finding my first property to buy and I bought it last year and been renmovating
 
Ahh Damm ok. Hope you are on the up!

That's great that your still using the a7. Any one doubting the reliability of a Sony mirrorless should speak to you lol.

Yes I been busy. Diddnt take much pics during lockdown and then after that I was focus on finding my first property to buy and I bought it last year and been renmovating

I've had the A7 out in any and all weather and it's survived with only a couple of issues... There's a black spec in the vf and the body covering is blistering in a couple of places but a half case hides that. I'll almost certainly use it until it fails.

Hope the renovating is going well and will look forward to seeing your posts and pictures.
 
Yes I been busy. Diddnt take much pics during lockdown and then after that I was focus on finding my first property to buy and I bought it last year and been renmovating
Some of you pics have appeared on my flickr feed, not great as I was at work at the time :eek: :ROFLMAO:

Talking of flickr feeds, for a while now the 'friends' option is no longer there (see drop down menu below) so I've no idea who I'm following anymore, why did they do this?

Screenshot 2024-03-15 at 18.30.41.jpg
 
7Artisan 50mm f1.8 AF review...


Either size or the non clickable aperture on their own would make this a non starter for me. Based on the three Chinese MF lenses I've owned I'd think that flare performance would be well behind the offerings from the more established brands and that is maybe the case looking at those samples. I'd also want to check the aperture setting v exposure numbers v the more obvious choices.

All in all I'm sure this lens will not even begin to even possibly cross my mind as a potential buy but maybe it's a pointer to better AF offerings from Chinese marques in the future.

Just on Chinese lenses and any differences to better ones.

Does ultimate image quality really make that significant a difference in real world pictures? There's a thread elsewhere in which the OP claims not to perceive the difference between his Voigtlander 50mm f2 apo (£800+) and TTArtisan 50mm f2 (£80.)

I found that interesting as I do own those two lenses and the differences in many and possibly even all shooting scenarios could very possibly be visible to the good old blind man on a galloping horse. Several things would make the differences pretty obvious to me but the technicalities are just one part of making a picture and if the picture is good enough in other than ultimate technical ways then a TTArtisan 50mm f2 picture may well be very nice and someone with vision could even make use of the cheap lenses potential weaknesses for a more pleasing end result.
 
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7Artisan 50mm f1.8 AF review...


Either size or the non clickable aperture on their own would make this a non starter for me. Based on the three Chinese MF lenses I've owned I'd think that flare performance would be well behind the offerings from the more established brands and that is maybe the case looking at those samples. I'd also want to check the aperture setting v exposure numbers v the more obvious choices.

All in all I'm sure this lens will not even begin to even possibly cross my mind as a potential buy but maybe it's a pointer to better AF offerings from Chinese marques in the future.

Just on Chinese lenses and any differences to better ones.

Does ultimate image quality really make that significant a difference in real world pictures? There's a thread elsewhere in which the OP claims not to perceive the difference between his Voigtlander 50mm f2 apo (£800+) and TTArtisan 50mm f2 (£80.)

I found that interesting as I do own those two lenses and the differences in many and possibly even all shooting scenarios could very possibly be visible to the good old blind man on a galloping horse. Several things would make the differences pretty obvious to me but the technicalities are just one part of making a picture and if the picture is good enough in other than ultimate technical ways then a TTArtisan 50mm f2 picture may well be very nice and someone with vision could even make use of the cheap lenses potential weaknesses for a more pleasing end result.

Yes and no,

For me for work stuff I will always buy equipment that I feel, is the best available for the job I need it for. This will usually but not always be the most expensive option.

For non work stuff I have recently bought a couple of the noodle makers and a Viltrox mainly because of their tiny size. Am finding myself enjoying the cheap council estate primes, while I would never consider them for work for non work for me they are good enough.

The majority of people in this thread have high end equipment but are amateur photographers and I totally get why they would want high end equipment, I was of the same mindset before photography became a job. The truth is though that while the differences between low end cheap stuff and the high end stuff are there, and here we can all see them, for amateur stuff you can quite easily get away with much more basic equipment and a normal person won't be able to tell the difference in images.

There is also the case for saying a skilled photographer can do a great job with any equipment.

I also think it's a man thing. As men we always want to have the best gear when it comes to anything, it is our mindset, be that photography or anything else. Women often care less about that sort of thing unless it comes to stuff they are really interested in like handbags, shoes etc. of course there are some exceptions. (Yes, I know that sounds sexist, I don't mean it to be) I know some female photographers and they don't talk much about equipment at all. It can be the same with a lot of things for example about a year or so ago I bought a focus ST. When picking up the car my missus was having a look at some of the other cars in the Ford dealership and found another focus that she like better because it was a nicer colour had much more comfortable full leather vs the half leather / half alacantra sports seats that are in the ST. She really couldn't wrap her head around the fact that I preferred the ST even though it was more expensive because of its performance vs the other focus.

With men probably more than women there is also the "one up them" scenario as well. Using my car again as an example, when I bought my focus, my wee bro went out 2 days later and bought a McLaren 570s. I think often people on photography forums see other people getting excited about new equipment they have just bought and think, I need that too, or I am gonna get a better version of that, Just my opinion.

There is a saying I seen somewhere, newbie photographers talk about camera's, amateurs talk about lenses and experienced photographers talk about light. I think that is also true. Not trying to be mean or anything but I see photos posted on this forum on a regular basis (not just this thread) that are honestly just awful taken with high end gear, I also see plenty of amazing images taken with much lower end gear.

Even from a work point of view I see lots of local wedding photographers with high end gear who provide really low quality horrendous in some cases standard of photography to their clients and others with much lower end gear providing high quality work.
 
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Since getting the GM 50 f1.2 I mostly don't want to use anything else, because any issues are down to me or the settings on the camera. I can relax and not worry about whether the picture will be ok or not.
It's probably the best prime I have used, amazing lens. Followed by 35GM.
 
7Artisan 50mm f1.8 AF review...


Either size or the non clickable aperture on their own would make this a non starter for me. Based on the three Chinese MF lenses I've owned I'd think that flare performance would be well behind the offerings from the more established brands and that is maybe the case looking at those samples. I'd also want to check the aperture setting v exposure numbers v the more obvious choices.

All in all I'm sure this lens will not even begin to even possibly cross my mind as a potential buy but maybe it's a pointer to better AF offerings from Chinese marques in the future.

Just on Chinese lenses and any differences to better ones.

Does ultimate image quality really make that significant a difference in real world pictures? There's a thread elsewhere in which the OP claims not to perceive the difference between his Voigtlander 50mm f2 apo (£800+) and TTArtisan 50mm f2 (£80.)

I found that interesting as I do own those two lenses and the differences in many and possibly even all shooting scenarios could very possibly be visible to the good old blind man on a galloping horse. Several things would make the differences pretty obvious to me but the technicalities are just one part of making a picture and if the picture is good enough in other than ultimate technical ways then a TTArtisan 50mm f2 picture may well be very nice and someone with vision could even make use of the cheap lenses potential weaknesses for a more pleasing end result.
I’m with you, far too big and heavy for a 50mm f1.8.
 
As you might have noticed... I'm just a happy snapper with no intention of changing and although I have an interest in the kit and lenses much more than cameras I often choose lenses which are far from technically excellent. But there's a but.

The comparison between the Voigtlander 50mm f2 apo and the Sony 50mm f1.8 at f4 to f22 in a linked article in the thread I read elsewhere is one thing and the comparison between the Voigtlander 50mm f2 and the TTA 50mm f2 throughout their whole aperture ranges is IMO quite another and I know this without even trying the Sony lens.

Voigtlander 50mm f2 v Sony 50mm f1.8.


Yesterday I went through a load of pictures I'd taken in the last couple of years and selected some to go in a slideshow. Some pictures taken with the TTA 50mm f2 made it through selection including the following which I've posted here before. This picture (IMO) couldn't have been taken with the Voigtlander 50mm f2 or any other modern 50 or 55mm lens I have, or maybe it could have but with a lot more effort. What I mean here is that the TTA gave this look and the Voigtlander would have given a quite different look and if anyone wanted to make a Voigtlander 50mm f2 picture look like this they'd need to put some thought and work into it.

DSC01056.jpeg

I bought that TTA 50mm f2 at least partly because it could be used for pictures like that and partly because it's small and cheap. Other TTA 50mm f2 pictures are less obviously pictures taken with that lens but if you know what to look for it's still IMO pretty clear what I used and again IMO this picture could not have been taken with the Voigtlander 50mm f2. Not without thought and effort.

DSC03240.jpeg

What got the ocd going in me was the thought that a good and experienced photographer who is much better than me would think that there's no perceivable difference between these two lenses (Voigtlander 50mm f2 and TTA 50mm f2) whereas to me there clearly is.

I do know and accept that no one I've shown TTA 50mm f2 pictures to has pointed to anything and said "Ah Ha!" but that's another matter and to me the differences are clearly there. With something like the Voigtlander 50mm f2 and a cheaper Sony lens at f4-fxx I can accept that there's maybe much less of a difference. For eg maybe the only significant differences between the Voigtlander 50mm f2 apo and the Sony 55mm f1.8 are FoV and ca/fringing.
 
Since getting the GM 50 f1.2 I mostly don't want to use anything else, because any issues are down to me or the settings on the camera. I can relax and not worry about whether the picture will be ok or not.
I actually prefer using the 35mm f1.4GM, but both are stellar lenses (y)
 
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