I have a Canon 200D and a Yongnuo Speedlite Flash YN568EX 2. Looking for cheapish and simple off camera wireless flash triggering device. It doesn’t need to do anything fancy, just fire the flash, the camera and flash settings will be set manually. I’m out of my depth on this subject. Thanks!
Off Camera Wireless Flash Triggering.
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RF603 II Manual Flash Trigger For Canon/Nikon/Sony Cameras，Wireless Flash Trigger, Speedlite Transmitter，Compatible with all flashes and cam
RF603 II Manual Flash Trigger For Canon/Nikon/Sony Cameras，Wireless Flash Trigger, Speedlite Transmitter，Compatible with all flashes and cam
th.hkyongnuo.com
Using the cameras own flash would be counter productive. I need strong side illumination with very little/no front light.
If I understand correctly the RF603 that the guy above recommended, you can trigger the flash/take the picture from the flashgun, that’s exactly what I need.
You can normally throttle the on camera flash to its lowest level, so it doesn’t impact the image.
Alternatively you can diffuse it with white cloth or similar as the sensors on the flashes are very sensitive.
sk66
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And/or deflect it away from the subject and towards the receiver flash with a little piece of card stock.
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sk66
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Wireless triggers are great; but if you don't actually need them...
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Thanks for all your replies.
You might be wondering the purpose of this. There’s a technique for enhancing/revealing readability of indented engraving on stonework, usually a grave headstone. The usual method is to reflect strong sunlight with a mirror at an acute angle across the face of the stone, obviously the vagaries of weather, time of day, relative position of the stone come into play. Replicating the effect with a hand held torch is a non starter, at least in daylight.
I was thinking maybe the effect could be replicated using a flashgun? That unit DemiLion recommended seems ideal for this. Set the camera on a tripod facing the headstone, then take the shots from the flashgun – it would be easy to adjust the position/strength of the flash for repeated shots. That’s my theory
Am I overlooking anything?
The 200D does have centre pin hotshoe, it's replacement the 250D didn't.
You might be wondering the purpose of this. There’s a technique for enhancing/revealing readability of indented engraving on stonework, usually a grave headstone. The usual method is to reflect strong sunlight with a mirror at an acute angle across the face of the stone, obviously the vagaries of weather, time of day, relative position of the stone come into play. Replicating the effect with a hand held torch is a non starter, at least in daylight.
I was thinking maybe the effect could be replicated using a flashgun? That unit DemiLion recommended seems ideal for this. Set the camera on a tripod facing the headstone, then take the shots from the flashgun – it would be easy to adjust the position/strength of the flash for repeated shots. That’s my theory
Am I overlooking anything?The 200D does have centre pin hotshoe, it's replacement the 250D didn't.
Yes, a flash should work for this - you would want the headstone in shade, if possible, to maximise the effect - you could use one of the '5 in 1' pop up reflectors (with one of the diffusion options) held above it to provide that.Thanks for all your replies.
You might be wondering the purpose of this. There’s a technique for enhancing/revealing readability of indented engraving on stonework, usually a grave headstone. The usual method is to reflect strong sunlight with a mirror at an acute angle across the face of the stone, obviously the vagaries of weather, time of day, relative position of the stone come into play. Replicating the effect with a hand held torch is a non starter, at least in daylight.
I was thinking maybe the effect could be replicated using a flashgun? That unit DemiLion recommended seems ideal for this. Set the camera on a tripod facing the headstone, then take the shots from the flashgun – it would be easy to adjust the position/strength of the flash for repeated shots. That’s my theory
The 200D does have centre pin hotshoe, it's replacement the 250D didn't.
Spot on you will have made your life so much easier using the method you mention. go for it you won't regret it for a minute.Thanks for all your replies.
You might be wondering the purpose of this. There’s a technique for enhancing/revealing readability of indented engraving on stonework, usually a grave headstone. The usual method is to reflect strong sunlight with a mirror at an acute angle across the face of the stone, obviously the vagaries of weather, time of day, relative position of the stone come into play. Replicating the effect with a hand held torch is a non starter, at least in daylight.
I was thinking maybe the effect could be replicated using a flashgun? That unit DemiLion recommended seems ideal for this. Set the camera on a tripod facing the headstone, then take the shots from the flashgun – it would be easy to adjust the position/strength of the flash for repeated shots. That’s my theory
The 200D does have centre pin hotshoe, it's replacement the 250D didn't.
Gaz
Buying a cheap flash trigger may solve your immediate need, but you will likely wish you had bought the more expensive with the ability to adjust and fire multiple lights as your photography experience grows. Most of the cheapest flash triggers seem to work no matter what camera you add it to, though level adjustment and selecting which flash will be in use will not be possible. The hot shoes on all brands of cameras seem to have standardized the flash trigger to the center pin of the hot shoe, but then as flash control electronics progressed further, each camera manufacturer seems to have gone their own separate ways, adding more contacts and functions from there, and these additional features will only work with their brand of cameras.
Godox seems to have come up with a way to make cameras and flashes more universal by developing their X band communication system (actually part of the high WIFI band of frequencies). So they standardized the communication method, but you still need a different flash transmitter for each camera brand. My flashes are all Godox or relabels of Godox, and all recently purchased within the last 6 years, so all work directly with the Godox X System communication standard without needing additional communication receivers, but Godox also makes receivers that will translate their X band signals to operate and adjust other brands of flashes so they will operate with the X communication system. These are small modules (receivers) that were made for each non Godox brand of flash. Each has a hot shoe and attaches to the hot shoe of your brand of speedlite flash to translate the Godox X band so it operates your flash if it is designed to control that brand of speedlite flash. This lets you use any brand of camera with the right version of Godox flash transmitter for it to control any brand of speedlite flash if it has a Godox X Band receiver that is designed to operate the functions of that brand of speedlite.
Charley
Godox seems to have come up with a way to make cameras and flashes more universal by developing their X band communication system (actually part of the high WIFI band of frequencies). So they standardized the communication method, but you still need a different flash transmitter for each camera brand. My flashes are all Godox or relabels of Godox, and all recently purchased within the last 6 years, so all work directly with the Godox X System communication standard without needing additional communication receivers, but Godox also makes receivers that will translate their X band signals to operate and adjust other brands of flashes so they will operate with the X communication system. These are small modules (receivers) that were made for each non Godox brand of flash. Each has a hot shoe and attaches to the hot shoe of your brand of speedlite flash to translate the Godox X band so it operates your flash if it is designed to control that brand of speedlite flash. This lets you use any brand of camera with the right version of Godox flash transmitter for it to control any brand of speedlite flash if it has a Godox X Band receiver that is designed to operate the functions of that brand of speedlite.
Charley
You are right. Godox/flashpoint is not for everybody, but it's been one of my better photography decisions, so the best choice for me. It cost me a lot to replace what I had, but selling off that old lighting system to someone else that was convinced that it was best, helped me recover some of my Godox/Flashpoint investment. I haven't once looked back on this decision. It was a really good one for me.
Charley
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The ones Mark (demiloin) suggests will work fine. I've got the clever all singing and dancing ones, but the ones in my bag as I speak look like the ones mark linked. They just work every time I try them. Ok there's no ETTL and I have to touch the flash to change setting. Frankly I think it's quicker to just dial the flash up and down a stop or two, than go into the menu of the high tech controller.
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I think you'd have to prise the ability to remotely control the flash power from my cold, dead fingers, but I don't use TTL flash - it just introduces another element (ie what the camera thinks the flash exposure should be) which is based on things in the frame that could change shot-to-shot...
Liverpool, yesterday evening. There's no way I'm walking up 50m of wheelchair ramps (out of shot to the right) at the Liverpool Museum every time I need to adjust the flash power
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For my panasonic G9ii camera I use a Godox X2t (0) transmitter. this send a signal to 2 of camera flash guns. The first being A Godox V860iii (o)
For the second flashgun which is a Nikon SB-900. As this is not directly compatible the signal is picked up on a Godox X1r(N) receiver mounted under the Nikon Flashgun.
To get the whole thing to work the transmitterand receivers all use the same channel number and Goup. Next is the Nikon flash is set to receive as a main flash and to Godox as a remote.
that is not all though what about firing 2 camera as well at the above?
Here I add on top of the Godox transmitter a Pixel Oppilas remote trigger release receiver plugged into the camera remote port . the same with the second camera.
Now I can remotely fire off 2 cameras and 2 flashguns remotely using a Pixel Oppilas wireless transmitter.
one can just add more and more but the same method irrespctive of camera or flashgun make. it only needs the right Godox transmitter/receiver for the make of equipment used
For the second flashgun which is a Nikon SB-900. As this is not directly compatible the signal is picked up on a Godox X1r(N) receiver mounted under the Nikon Flashgun.
To get the whole thing to work the transmitterand receivers all use the same channel number and Goup. Next is the Nikon flash is set to receive as a main flash and to Godox as a remote.
that is not all though what about firing 2 camera as well at the above?
Here I add on top of the Godox transmitter a Pixel Oppilas remote trigger release receiver plugged into the camera remote port . the same with the second camera.
Now I can remotely fire off 2 cameras and 2 flashguns remotely using a Pixel Oppilas wireless transmitter.
one can just add more and more but the same method irrespctive of camera or flashgun make. it only needs the right Godox transmitter/receiver for the make of equipment used
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I absolutely agree - and also about TTL, apart from on camera flash, where it can be quite handy.
The last thing I want when shooting CEO headshots/portraits is to have to run back and forwards to adjust the strobe output.
But this was the question asked...
And the answer to that is a set of 603 MkIIs.
Absolutely no reason whatsoever to try and brow beat the poor guy by telling him to change system (not that you did).
A Godox X trigger would cost almost double the value of the actual flash that he has FFS!!
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