debated on putting this in the critique section but chickened out
dazzajl said:I sense these bellows shots are just going to get better and better.
I thought someone would say that! Thanks dazzajl.....now your gonna tell me you have a ff camera for sale aren't ya!dazzajl said:Fine, we'll all just critique it here then.
Shame on you! The lens is a 50mm Carl Ziess Jenna Tessar 2.8 but fits inside the bellows rather than the outside???? Just if your interested This is the first post explaining how I came about them.Forbiddenbiker said:I haven't been keeping up with your bellows stuff, could you tell me what lens your using
Yes and no! Outside in the evening sun but there was a slight breeze which kept moving everything now and then....I bought some material a couple of weeks ago, one black and one white to use as backdrops for this kind of thing.Venomator said:Is it a 'Still Life' as it were Ken ... i.e. indoor set-up shot ...
KenCo1964 said:Shame on you! The lens is a 50mm Carl Ziess Jenna Tessar 2.8 but fits inside the bellows rather than the outside???? Just if your interested This is the first post explaining how I came about them.
Surely you know by now not to be asking me questions like that. All I do is press the shutter.....Forbiddenbiker said:Thanks.
yeah, interesting stuff indeed, what a bargain. Difficult to use, but well worth the effort by the look of your shot, seriously good dof for a macro shot I think...not that I know much about it as you know, just seems a very large area is in focus. :shrug:
Is that part of the way bellows work, I realise you've got a nice lens on their, do they extend the dof of the lens at f whatever, as well as the focal distance? err?? ...so to speak...or I'm I barking up the wrong tree and totally confusing myself.... and talking rubbish at the same time.
? Please.
is that part of the way bellows work, I realise you've got a nice lens on their, do they extend the dof of the lens at f whatever, as well as the focal distance?
dazzajl said:As you move the focus point closer to the camera the glass inside the lens is moving down the barrel away from the camera. What stops you getting in really close is that you run out of movement. Macro lenses have extended movment to allow close work and bellows do pretty much the same thing.