thanks nero
and russell ... yeah online is awesome but i want something i can sit at work and read when im not busy or sit on the sofa while her indoors watched deadenders![]()
Understanding exposure by Brian Peterson.
(+1 for Kelby's books)
everyone mentions understanding exposure but surely its all about DOF and f stops? of which i understand ..
and checkout D-Town TV on iTunes, if you haven't... not a book but, hey, it's agreat resource.Thanks for the iTunes suggestion posiview, just checked it and looks quite useful![]()
No worries, if you need any more photography related podcasts (that have helped me) let me know - I'm an iTunes junkie!
I recently bought the 3 pack of Michael Freemans books in the link that Posiview gave - the photographers eye, the photographers mind and perfect exposure. They're definitely good - if you're the kind of person that likes a "systems approach" to things. Each book trys to instill a routine and checklist that you use until it becomes second nature. I've found as I read them, that it sort of puts into words what i've been doing as second nature for years, but there are certain bits of the books that have given me interesting slants on things - mainly as I've come to shooting digitally after 30 years of working on film. They're not really the kind of books to "dip into" as a reference though - I found that I didn't even pick one up unless I had time to read an entire chapter at a time, and probably re-read it once or twice.
30 year's in film...gulp.....
"routine and checklist" does sound a little boring doesn't it? But I work well with this kind of approach and will do until I get the 'basics' and hopefully I can then (cough) think outside the box and work more intuitively....can't wait.
Cheers.

It may sound a little boring, but the whole idea is that the mental checklist just becomes second nature and eventually automatic apart from the creative decisions part -the "what do I want from this photo?" - and your experience just kicks in and handles the settings part. The more practiced you get with the camera and its settings, the less it gets in the way of the creative process. I used to sit and play with the camera, setting shutter speeds and apertures to various combinations without looking at the camera - of course this was back before automatic modes in cameras - back then the photographer had to be the intelligent part of the shooting process![]()