My tips would be things like:
When you see something you want to photograph, first stop and ask yourself why you want to photograph it. Identify what you want to show, and show it in the strongest way you can (and explaining that is an article in itself). Remove anything from the image (and I mean by change of viewpoint, NOT Photoshop!) that takes the attention from the subject. Yes, there are ways of doing this that require some technical knowledge, but exhaust all the simple ways first. Ansel Adams expressed it more succinctly, in saying that he would rather have a fuzzy photo of a sharp concept than a sharp photo of a fuzzy concept. Paraphrasing - technical quality matters, but it's secondary to the main point. Which starts with an idea of what and WHY you want to photograph something.
Less airy fairy - watch the margins of the frame like a hawk. You're concentrating on the subject because you know what you intend the subject to be. Viewers of the photograph don't. If you concentrate on the facial expression because it's important to you, you may miss the telegraph pole growing out of the head. Viewers won't. Or at least, I wouldn't. From which it follows, watch the outlines of your intended subject. Watch for where shadows fall.
In most cases (probably all actually) a modern camera left on auto everything will do better than a beginner when it comes to making the settings. So forget the technical side entirely for the moment. As a beginner, I found things like "depth of field" confusing. There were (from my current position) more important things I should have been concentrating on when I started.
Echoing Jon's post just above mine - study images, paintings as well as photographs. Try to work out exactly why you like some, and pay particular attention to those you don't like. You may learn more by working out why you don't like them than looking at images you like.