LongLensPhotography
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Great thread! I've never thought to proof for sRGB before, my impression was that you are editing "in" the sRGB colour space anyway so what you see within lightroom should be what you get when exporting. Is that not the case?
Should you not edit and have the screen set in the Adobe 1998 space. The range of colour's is far greater.
Totally aside that first shot of BEM is wonderful, great summer colours (not the misery brown ones now) and lovely bold composition.
Great thread! I've never thought to proof for sRGB before, my impression was that you are editing "in" the sRGB colour space anyway so what you see within lightroom should be what you get when exporting. Is that not the case?
Should you not edit and have the screen set in the Adobe 1998 space. The range of colour's is far greater.
Totally aside that first shot of BEM is wonderful, great summer colours (not the misery brown ones now) and lovely bold composition.
Which lavender farm is that?
I wanted to take a similar shot but the lavender farm near me charges £100 to shoot there out of hours and during summer when lavender farm is open sunrise or sunset doesnt happen between 9-5
France or any of the southern europe is your best bet. You will find fields a lot better with open access. Somerset lavender had a convenient public footpath just is in the right place. I couldn't confirm if it is still unchanged. But these are all very small fields, and unlike my half decent shot you want a lot more elevation and some landscape features.
IIRC my camera RAW colour space only offers sRGB and Adobe 1998 - not pro photo. I have it set to adobe 1998 and the screen profile set to this. I however create sRGB proofs.
{the aRGB or sRGB option in camera only applies to SOOC JPEGS}
come May it may not be so easy to just fly over for a weekend!
LR Classic CC uses Adobe RGB in the Library module and ProPhoto RGB in the develop module, that is sometimes why you might see a difference if you have switched between the two of them. I generally edit in the higher profile and convert and tweak if necessary for the lower one, sRGB, if required on output.Great thread! I've never thought to proof for sRGB before, my impression was that you are editing "in" the sRGB colour space anyway so what you see within lightroom should be what you get when exporting. Is that not the case?