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Thanks for that.
The burst shooting may come in useful for my wildlife photography along with the scapes over the ML-L3.
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Nikon D750 & D780
- Thread starter Joeturner11
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Thanks for that.
The burst shooting may come in useful for my wildlife photography along with the scapes over the ML-L3.
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So then... wedding day. How on earth do you take all you stuff? I'm just someone who likes to fanny around with a camera but i seem to be taking so much stuff with me. I feel like I'm moving house! Pretty sure i won't use a quarter of it but you can guarantee that if i leave it at home i will need it!
I think I'm set on running without flash for the prep but things could change.
There is going to be a firework display, magician and also (rather randomly!) some casino tables there so it should make for some decent shots hopefully. We delivered the wedding cake last night and it is all decked out for Christmas too!
*Bricking It*
I think I'm set on running without flash for the prep but things could change.
There is going to be a firework display, magician and also (rather randomly!) some casino tables there so it should make for some decent shots hopefully. We delivered the wedding cake last night and it is all decked out for Christmas too! *Bricking It*
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looking at some of your shot your have posted David, I wouldn't worry, you are a well capable photographer with a great eye. When I used to shoot weddings I would do it with just a D200 & D100 and a 24-120 F3.5-5.6 (you know that one that is supposed to be one of Nikon's worst ever lenses), a 50mm F1.8, a Sigma 10-20 F4-5.6 and a SB-80DX speedlight. All pretty basic equipment and not even comparable to today's equipment, and over about 80 weddings never once had any comments on the quality of the resulting images.
Indeed when I look back on my own wedding images in our album from the early 90's, shot on film (no digital at the time, think the photographer used a range finder Contax), even the images form the lowly 6mp D100 looked much sharper and clearer. You will find yourself getting into a "groove", and once you have the first dozen or so shots under your belt, your confidence in your ability and your equipment will grow, and you pretty much go into automatic mode, then wonder where the day went.
Just make sure your batteries are charged (with spares), plenty of memory cards (formatted), and as you say, a backup body just in case the worst ever happens. Though I never really needed my second body as a backup in all the time I did weddings, I eventually gave it to the wife with a 70-300, and she had a great eye for capturing little candids whilst I was busy on the main shots, and it was surprising how many of the these "grab" shots from a non photographer made it into the albums.
Enjoy the day and experience and trust in your own capabilities and you will be just fine I'm sure bud.
Indeed when I look back on my own wedding images in our album from the early 90's, shot on film (no digital at the time, think the photographer used a range finder Contax), even the images form the lowly 6mp D100 looked much sharper and clearer. You will find yourself getting into a "groove", and once you have the first dozen or so shots under your belt, your confidence in your ability and your equipment will grow, and you pretty much go into automatic mode, then wonder where the day went.
Just make sure your batteries are charged (with spares), plenty of memory cards (formatted), and as you say, a backup body just in case the worst ever happens. Though I never really needed my second body as a backup in all the time I did weddings, I eventually gave it to the wife with a 70-300, and she had a great eye for capturing little candids whilst I was busy on the main shots, and it was surprising how many of the these "grab" shots from a non photographer made it into the albums.
Enjoy the day and experience and trust in your own capabilities and you will be just fine I'm sure bud.
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Radiohead
Mine sucks
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So then... wedding day. How on earth do you take all you stuff? I'm just someone who likes to fanny around with a camera but i seem to be taking so much stuff with me. I feel like I'm moving house! Pretty sure i won't use a quarter of it but you can guarantee that if i leave it at home i will need it!
I think I'm set on running without flash for the prep but things could change.
*Bricking It*
2 bodies, 3 primes. Done.
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Head up, £100 Cashback on the Sigma 35 and 50 Art lenses this weekend.
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this (plus a speedlight) works for me! You'll be fine!
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Oh, and a few bottles of water. We call it the wedding hangover, dehydration is a killer the next day.
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Planning on using the D750 only but if i find myself needing to swap lenses a lot then i will have to use the D7k aswell. Sure it will be fine.
T minus 45 minutes...
There's not the slightest doubt m8, you'll produce an "Excellent" set of images.
"Just "ENJOY" yourself".
George.
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Well done
Here here, most stressful day of my life when I did it the once!
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Agree with you both! Fair play to those who do it for a living!
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I wasn't too stressed, just constantly on the go all day. Being close family made it a far better experience for me. I think i would have felt pretty awkward if i didn't know anyone. What got me was the sheer lack of time to take the shots I wanted to. I'd been looking at a few wedding togs websites for a few days previous including our own @decigallen but in the end the day (light!) just disappeared and it left little time for anything really. Shame. I've said i will do a 'post-wedding' shoot with them and their kids so hopefully this will enable me to try a few shots i ideally wanted to on the day.
I'll leave you with a quick shot of the first dance... Only another 1200 pics to look through...
Dancing the night away by David Raynham, on Flickr
I'll leave you with a quick shot of the first dance... Only another 1200 pics to look through...
Dancing the night away by David Raynham, on Flickr
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I wasn't too stressed, just constantly on the go all day. Being close family made it a far better experience for me. I think i would have felt pretty awkward if i didn't know anyone. What got me was the sheer lack of time to take the shots I wanted to. I'd been looking at a few wedding togs websites for a few days previous including our own @decigallen but in the end the day (light!) just disappeared and it left little time for anything really. Shame. I've said i will do a 'post-wedding' shoot with them and their kids so hopefully this will enable me to try a few shots i ideally wanted to on the day.
I'll leave you with a quick shot of the first dance... Only another 1200 pics to look through...
Dancing the night away by David Raynham, on Flickr
Nice one David. Look forward to seeing the rest
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LOVE that, very different. Is it a composite?I wasn't too stressed, just constantly on the go all day. Being close family made it a far better experience for me. I think i would have felt pretty awkward if i didn't know anyone. What got me was the sheer lack of time to take the shots I wanted to. I'd been looking at a few wedding togs websites for a few days previous including our own @decigallen but in the end the day (light!) just disappeared and it left little time for anything really. Shame. I've said i will do a 'post-wedding' shoot with them and their kids so hopefully this will enable me to try a few shots i ideally wanted to on the day.
I'll leave you with a quick shot of the first dance... Only another 1200 pics to look through...
Dancing the night away by David Raynham, on Flickr
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It won't be. Slower shutter to catch the ambient from the lights on the dance floor and OCF to freeze the couple.
Wouldn't say it's very different though if I'm honest. Very common for dance floor shots these days.
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As above mate really. Would have liked a wider lens tbh. I also set up a flash on slave mode in the background but it didn't fire.
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Ahh, I wondering how you froze the couple with such a slow shutter. Tricks of the trade eh? Useful technique, will try it myself now I know
Ahh, I wondering how you froze the couple with such a slow shutter. Tricks of the trade eh? Useful technique, will try it myself now I know
Its called rear curtain sync flash. Look in your camera flash options, its there.
Looking forward to seeing the rest mate, well done! Weddings, no thanks, to stressful.
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Sounds like you had fun mate. Look forward to seeing the rest. I really enjoyed the few I have done, until I realised I had 1000+ images to sort the last time was much easier as my workflow is better these days but it's still the part of it all that puts me off. Workflow is everything!
the last time was much easier as my workflow is better these days but it's still the part of it all that puts me off. Workflow is everything!
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Yeah, I 'did' know about that thanks but not seen it done like this before. Plus to be quite honest it was something I'd forgotten about, you know my memory
and so after I'd thought about what UaeExile and minnt said I was like
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Thanks. Any reason you used a cord rather than CLS?
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I wasn't too stressed, just constantly on the go all day. Being close family made it a far better experience for me. I think i would have felt pretty awkward if i didn't know anyone. What got me was the sheer lack of time to take the shots I wanted to. I'd been looking at a few wedding togs websites for a few days previous including our own @decigallen but in the end the day (light!) just disappeared and it left little time for anything really. Shame. I've said i will do a 'post-wedding' shoot with them and their kids so hopefully this will enable me to try a few shots i ideally wanted to on the day.
I'll leave you with a quick shot of the first dance... Only another 1200 pics to look through...
Dancing the night away by David Raynham, on Flickr
A regular type of shot m8, but it's certainly got your creative "Hallmark" on it. Great framing and effect and "Hey It Really Works Well".
George.
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The speedlight may not have seen the pop up. And you look like a bell end using a pop up aswell.
A regular type of shot m8, but it's certainly got your creative "Hallmark" on it. Great framing and effect and "Hey It Really Works Well".
George.
The dancefloor was tiny so there wasn't much scope for doing much else unfortunately. At least i got something which was useable.
'The Dress Shot' by David Raynham, on Flickr
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My personal preference is to not use rear curtain sync, but rather front curtain. Means I get the action I'm seeing at that split second.
Try setting your flash zoom to 200mm when using slow sync flash and you'll get a nice vignette which helps draw focus to the centre of the frame.
Good work, David! Glad you had a relatively stress free day - It doesn't get better than that.
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