Well I prefer sunshine for most landscapes.

[excalibur2]

I was playing with the Minolta X-300 and at the same time comparing zooms and primes for keepers...all was going well when the ASA dial came loose and a few shots were at 3200 asa erm the threaded plastic disc wasn't done up tight that holds the asa disc in place, so every time I wound on the film it was unscrewing the threaded plastic disc. :thumbsdown:.
Anyway I had to go back to the same spot the next day to redo some shots, well one day was sunny and the other was bright cloud and it shows in these shots of same, an similar lenses..all dev and low scan from Asda, Reala film, all lenses at f8.
I dunno if anyone is going to learn anything from this but I've got time to waste

Ensinor 24mm sunny:-

Ensinor 24mm bright cloud:-

Minolta 58mm f1.4 sunny:-

Minolta 50mm f1.7 bright cloud:-

 

[alistair.o]

Nice and a sharp lesson on ASA dials...

For me, the first and the last because of the very noticeable differences in the sharp and flat sky.

 

[excalibur2]

Nice and a sharp lesson on ASA dials...

For me, the first and the last because of the very noticeable differences in the sharp and flat sky.

The prime lenses used were very good, but some more sun and contrast can help this cheap zoom equal my primes with less sun.
Vivitar 28-85mm@28mm by Kobori

One of my favourite lenses Super-Tak 35mm f3.5

Anybody interested more from:- http://www.zeisscamera.com/doc_ResContrast.shtml

 

[markosparko1994]

yep, sunny for me too

 

[excalibur2]

Last two, maybe someone will be interested in the lens, the window and chimney on the left look odd not sure if due to what you get with a 28mm lens, or lens distortion.

Vivitar (Kiron) 28mm F2 ver @ f8 in sunshine

Vivitar (Kiron) 28mm F2 ver @ f8 in bright cloud:-

 

[alistair.o]

Anybody interested more from:- http://www.zeisscamera.com/doc_ResContrast.shtml

Good link - thank you.