7 has a big flaw. Think it's the aperture mechanism that dies and it can't be repaired. Mine died and couldn't be fixed. I got a 9 instead. They seem to be far more robust. Not sure about the 7000(?) and whether that has the same issue.
Hell will freeze over before I part with my 9 though!
This smacks (should I be using that word advisedly?) of a fetish interest, chaps. What's the virtue in these machines? Am I allowed to ask why you're bothering?
This smacks (should I be using that word advisedly?) of a fetish interest, chaps. What's the virtue in these machines? Am I allowed to ask why you're bothering?
When you can have a film and a digital camera effectively looking, feeling and being the same while only really differing in their formats, that hits a lot of positives for ease of use. Not to mention all accessories (including batteries) are good for both - it just makes sense. I still have a shedload of older film cameras but on a mission-day it means less tech to think about, less kit to carry, and so more time to concentrate on the compositions.
And then there's the fetishes too - I do have two 7D's ...
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