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- David
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I don't get chance to do much commercial product photography these days, so it's always nice when something drops in unexpectedly.
Click for full res, and then click again to zoom.
One Bowens Gemini 500 head, bounced off a 4m square white flat suspended from ceiling for shot 1, and on opposite wall (20past position) for 2 and 3. White reflector either side of set. One Bowens Gemini with 1metre softbox directly behind camera for contrast control (fill) at a 1:4 ratio... except shot2, which caused too many reflections, so a large white reflector was used.
Not retouched yet, so a few hairs etc. Pretty much off camera... just a tiny bit of sharpening, closed up the slack bottom end of histogram (done on purpose... shot ETTR) and white balancing.. pretty much it.
[edit]
For those that like detail... sorry, Imgur strips EXIF. However...
Nikon D800E
Shot1: 1/3 sec @ f11, ISO100. Nikkor 24-70 f2.8G at 48mm
Shot2: 125th sec @ f16, ISO100. Nikkor 24-70 f2.8G at 38mm
Shot3: 125th sec @ f16, ISO100. Nikkor 24-70 f2.8G at 60mm
Click for full res, and then click again to zoom.
One Bowens Gemini 500 head, bounced off a 4m square white flat suspended from ceiling for shot 1, and on opposite wall (20past position) for 2 and 3. White reflector either side of set. One Bowens Gemini with 1metre softbox directly behind camera for contrast control (fill) at a 1:4 ratio... except shot2, which caused too many reflections, so a large white reflector was used.
Not retouched yet, so a few hairs etc. Pretty much off camera... just a tiny bit of sharpening, closed up the slack bottom end of histogram (done on purpose... shot ETTR) and white balancing.. pretty much it.
[edit]
For those that like detail... sorry, Imgur strips EXIF. However...
Nikon D800E
Shot1: 1/3 sec @ f11, ISO100. Nikkor 24-70 f2.8G at 48mm
Shot2: 125th sec @ f16, ISO100. Nikkor 24-70 f2.8G at 38mm
Shot3: 125th sec @ f16, ISO100. Nikkor 24-70 f2.8G at 60mm
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