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Stunning work Rod, lovely image.
Mart
Mart
Yashica Zoom 80 Fuji 200
Thanks. I've also been using Tri-X lately, although I'm developing it in Diafine, really liking the results:
Hexar AF, Tri-X at 1600.
Neopan 400 pushed to 800 in Rodinal 1:50, semi-stand = so much grain I could sand down blocks of wood with the negatives.
I got mine from AG Photograpihic.
It doesn't look too grainy on the monitor. Now would that be 400 or 800 grit sandpaper.
Apparently out of stock, but someone said "Mr Cad"...if you need some
Where's Wally?
What's that meant to mean?
i'm guessing it's playing "find your name stamp" - a bit like the "where's wally" books - find the guy in the stripy red and white shirt
Ah I see what you mean now! As much as I hate watermarks, it stops people stealing the photos, reproducing them in mass amounts. It's happened before Si I jut protect myself a little now
That small water mark is not difficult to remove. How is it protecting your photos?
edmundator said:Really nice shot, Eric.
Ethan, taken this morning on Pentax Super A, 135mm f2.5 Takumar, film was Ultrafine Extreme ISO 400 pushed to ISO 3200, this gave an exposure of 1/125 @ f4, developed in Ilford LC29 at 1:9 for 14 minutes.