odd jim
Flimsiest Lambresta
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I think he is thinking of BUYING the 600c
Ah yes, sorry confused! I remember recommending that to him now [emoji28][emoji28]
I think he is thinking of BUYING the 600c
what are the views on Portus Digital and HDEW? Grey is an option for me
I'd go for the sport if possible at all.
http://www.the-digital-picture.com/...meraComp=453&SampleComp=0&FLIComp=7&APIComp=0
Alternatively Canon 100-400 II will take 1.4x III coverter very well.
As a budget option 400mm f/5.6L prime is amazing if you can live without IS. The sharpness is incredible wide open.
Camera-wise I use 5D3 and the sharpness at pixel level is incredible. You might be looking at 100% crop and still think it is a full frame. If crop doesn't give you that then the "extra" reach is all but a myth
I'd go for the sport if possible at all.
http://www.the-digital-picture.com/...meraComp=453&SampleComp=0&FLIComp=7&APIComp=0
Alternatively Canon 100-400 II will take 1.4x III coverter very well.
As a budget option 400mm f/5.6L prime is amazing if you can live without IS. The sharpness is incredible wide open.
Camera-wise I use 5D3 and the sharpness at pixel level is incredible. You might be looking at 100% crop and still think it is a full frame. If crop doesn't give you that then the "extra" reach is all but a myth
Optically there's nothing in it between the Sport and the C, I tried both, couldn't tell the difference between them for IQ but the Sport is much more expensive, and much heavier.
+1 - I have had both and there really isn't much if indeed any difference in IQ and the Sport is a heavy beast, on a par with the original Canon 300 f2.8 for weight.Optically there's nothing in it between the Sport and the C, I tried both, couldn't tell the difference between them for IQ but the Sport is much more expensive, and much heavier.
What's the weight difference?
If looking second hand ( and worth a look to keep costs down) then a few years ago when I looked at the 150-600 it was a lot heavier than the 100-400 canon, which as I was mostly sport based pushed me that way.
It's very nearly an extra kilo, pretty significant as I do most of my stuff hand held.
Still a child's play compared with my 600mm f/4 IS. The canon 400mm prime or zoom are very nice and light and typically get taken out more frequently
The Sigma 10-600 Sport is very heavy, there's no escaping that, especially if you have the Sigma C and Tamron side by side to compare. The other thing is, there's a lot of weight in the front section and when that's zoomed out to 600mm there's a lot of leverage, too.
When it comes to image quality, the Sport is undeniably sharper at 600mm and while the difference is noticeable it's not massive. The biggest challenge to sharpness with these lenses is accurate focus and fast shutter speeds. If you can nail those two things on a regular basis you''re unlikely to complain about image quality either way.
This is an image I took a couple of months ago, it's just a jpeg conversion of the RAW file I took at the time, no processing at all. This is ISO 400 on my 7dMk1.
View attachment 68429
And this is a 100% crop of the same image, again, with no processing, just converted to jpeg from RAW.
View attachment 68431
Hopefully this illustrates my issues with the 7dMk1 when cropping. The grain is very apparent and there is a softness to it. It may be operator error, it may be pixel peeping but I don't think it should be quite this bad at iso 400.
First time I've uploaded files directly to the forum, hopefully they don't infringe any rules.
I'm not surprised you're seeing noise here, its underexposed.This is an image I took a couple of months ago, it's just a jpeg conversion of the RAW file I took at the time, no processing at all. This is ISO 400 on my 7dMk1.
View attachment 68429
And this is a 100% crop of the same image, again, with no processing, just converted to jpeg from RAW.
View attachment 68431
Hopefully this illustrates my issues with the 7dMk1 when cropping. The grain is very apparent and there is a softness to it. It may be operator error, it may be pixel peeping but I don't think it should be quite this bad at iso 400.
First time I've uploaded files directly to the forum, hopefully they don't infringe any rules.
I'm not surprised you're seeing noise here, its underexposed.
It's very nearly an extra kilo, pretty significant as I do most of my stuff hand held.
I use a 300 2.8 and use 1.4 and times 2 converters when I need more reach
Cheers, that's quite a lot. Do people with these use them with a monopod as with the big canon primes?
Last time I was on skomer and someone had just bought the 1dx and 600mm canon, with a monopod and was cursing the weight, and the fact he'd bought no other lens. I lent him one of mine for the puffins running around his feet, but he returned to the boat landing to take flying shots, as he said he'd had to stop three times on the way to the other side for a rest.![]()
Hi its hard to see any difference between shots taken with my canon 300 2.8 with and without the 1.4 converter it's amazingDo you find your TCs affect image quality at all? I often use a Sigma 1.4xTC with my 300 and I have wondered if that too affects image quality.
Morning guys.
If I remember right, the image above was underexposed by 2/3rds of a stop. Enitirely operator error on that one as I had been taking photos of the lighthouse at Turnberry just a minute before and for those I was fighting a very bright sky. That's what prompted me to take the image above as the skies that way were dark and threatening and it was only a 90 degree swing to the left but I didn't change the settings as I knew it wasn't going to be a keeper anyway (says he 2 months after talking it). The settings I had on at the time were,Sigma 17-70 at 17mm, iso 400, f14 (seems to be the Sigma's sweet spot) and the negative exposure compensation I mentioned which gave me a shutter speed of 1/80 sec. I will admit, I sometimes do underexpose by upto a 3rd or even 2/3rds of a stop, which I now realise won't be helping.
<snip>
Under-exposure and f/14! (n)
F/14 is not the sweet spot for sharpness on any lens. Diffraction will be severe, causing loss of sharpness. On a cropper, don't go higher than f/8, on full-frame no higher than f/11 for best sharpness
You need to make sure you're getting every drop of image quality out of the 7D before jumping ship and with long lens work there is no room for anything less than best technique.
Dale,
Having myself been in exactly the situation you describe with your 7d Mk 1, I have to say that in my opinion some of your conclusions are wide of the mark.
But it 's up to you!
Please feel free to show me where, I'm open to constructive comments if it helps me to improve. It will all be considered.![]()
I just don't agree that persevering with the 7d Mk 1 would be in your best interests, or that the 7d Mk 2 would be a worthwhile upgrade (though i don't have any personal experience of this). It is only my opinion, but I've been exactly there myself with the 7d and using a long lens on a 5d3 was such an improvement. I'm not saying that the 5d3 is ideal for wildlife but coupled with the Sigma 150-600 that you say you're considering it would be big step upwards from your current set up. (I moved to the Tamron 150 - 600, by the way). 600 mm is a 12x magnification factor which would have been almost unheard of just a few years ago (unless you were made of money). you can crop in from there with a full frame body.
Well, I 've had my say now. It's over to you.......![]()
now that you're obviously not happy with the 7D. whether any results from the camera will be good enough.
I just don't agree that persevering with the 7d Mk 1 would be in your best interests, or that the 7d Mk 2 would be a worthwhile upgrade (though i don't have any personal experience of this). It is only my opinion, but I've been exactly there myself with the 7d and using a long lens on a 5d3 was such an improvement. I'm not saying that the 5d3 is ideal for wildlife but coupled with the Sigma 150-600 that you say you're considering it would be big step upwards from your current set up. (I moved to the Tamron 150 - 600, by the way). 600 mm is a 12x magnification factor which would have been almost unheard of just a few years ago (unless you were made of money). you can crop in from there with a full frame body.
Well, I 've had my say now. It's over to you.......![]()
If it is any help, I upgraded my 7D to a 7D2, then added a 5D3. The 5D3 is my go to camera for portraits, flowers etc, but for wildlife I almost invariably pick up the 7D2. With a 100-400 Mk2 and a 1.4x Mk3 it is light, versatile and very good quality. I use that combination more than my 500 f/4 now.
My 7D used to almost permanently be on +2/3 EC, my 7D2 tends to be either 0 or +1/3.
Decided to rule out the 6D, I don't think it's quite there for wildlife. Landscapes yes but wildlife, no.
Jerry, could you post a 100% crop of an image off the 5d please?
Thanks.![]()
Must admit, I've got some pretty good results with wildlife shots with my 6d, more so than the 50/70d!