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- Danny
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When working with a light source which is coming from behind the subject, namely a window, how do you work with it?
To go into more depth....
Picture a wedding and you get to the speeches, the top table is located infront of the only natural light source in the room. The lighting is coming from BEHIND the subject. You have the conflict of diffused cold light coming through the window and the only fill you get is from the nasty tungsten lighting in the room. Do you use Flash and get some horrid colour casts whilst contrasting between natural light, tungsten light and your flash or do you work around it somehow?
To go into more depth....
Picture a wedding and you get to the speeches, the top table is located infront of the only natural light source in the room. The lighting is coming from BEHIND the subject. You have the conflict of diffused cold light coming through the window and the only fill you get is from the nasty tungsten lighting in the room. Do you use Flash and get some horrid colour casts whilst contrasting between natural light, tungsten light and your flash or do you work around it somehow?