- Messages
- 1,602
- Name
- Mark
- Edit My Images
- Yes
Right film gurus. I've read about blown out skies, and how a yellow, orange and red filter are necessities when shooting B&W to avoid blown out skies with B&W and film. However explain to me one of these similar shots the sky is blown out and the other isn't, if you please
The differences:
Good sky shot with HP5+, Nikon F4s, Nikkor 70-210 with U/V Filter.
Bad sky shot with FP4+, Canon EOS100 and Nifty 50 EF lens.
Both shot using the equivalent of Matrix metering on similar winter days with harsh sun behind me getting late in the afternoon.
So is the U/V filter making a difference? Or is the metering on the Nikon F4 better? Or do you say 'go away Freester there's too many variables and it could be anything...'?
Any insight gratefully appreciated....
Mark F
The differences:
Good sky shot with HP5+, Nikon F4s, Nikkor 70-210 with U/V Filter.
Bad sky shot with FP4+, Canon EOS100 and Nifty 50 EF lens.
Both shot using the equivalent of Matrix metering on similar winter days with harsh sun behind me getting late in the afternoon.
So is the U/V filter making a difference? Or is the metering on the Nikon F4 better? Or do you say 'go away Freester there's too many variables and it could be anything...'?
Any insight gratefully appreciated....
Mark F