Shoot bird. Stuff bird. Nail it to a twig.
Job done.
You're cheating by using a tele lens! If you're doing it properly, you get kitted up like Rambo, crawl through the undergrowth and shoot it from <1m with a fisheye. BOOM! Prey's-eye view.that would be "cheating" and none of us "cheat" where bird photography is concerned???
the local farm store are doing these jumbo packs of meal worms … OK they are dried, but
Sell the car, away you go Gavin.................And so goes my downward spiral into 'upgrading' my kit :banghead:
Perhaps I didn't make myself clear. It seems as if the 7Dii isn't better than what Bill has, apart from the FPS. Gaz has been using the camera for 8 months or so and is possibly going to change back to a 5D3 or 1D which he also owns. I think with 8 months or so use, Gaz has a good idea on what settings to use, and his photographs I have seen back that up. The 1D he has is a better camera in his opinion and the 5D3 for low light and ISO.
Out of interest how long have you been using the camera for?
I'm not saying the 7D2 is a bad camera, but I would be suprised if Bill would see much of a difference apart from the FPS to what he has. The D750 he has is a very capable camera. The current model of the 1D range would possibly be a different story.
For wildlife mate if you are going to look at the 1DIV I would just go with a 7D Mark II instead as for wildlife it will be a better camera, better focusing unit and more modern with a new 20mp sensor.
Firstly the originally topic Bill brought up was regarding a 1DIV for birds in flight with a lightweight setup. This is where I suggested a 7D Mark II to him, I never compared it to what his current gear is.
In regards to your question I have been using the 7D Mark II for about two months now I think it is, alongside with a 1Dx & 6D which I have been using on average 6days a week which has gave me more than ample time to form my own opinion on the 7D.
Looking at your equipment, IMO, I would settle with D4 (or wait for new D5 which is coming soon), another body (options open) for another setup and sell others. As for lenses, I definitely sell 300mm f/4 and if f/2.8 is not important, I would sell it too for 200-400mm gives more flexibility.
Also you've listed so many gears, I hope you don't bring everything whilst out birding or to hides???
Robin
As I keep saying it is a "light hearted" thread
The 600mm f4 …….. is a bind to take anywhere apart from the back garden and the usual formal "hides" - even then carrying it with a Wimberley and Gitzo is no fun……. but a really good lens ……. we have quite a large area of land in rural France, all types of habitat …... land is cheap ….. I have a portable hide ……I am retired … so have plenty of time to mess around
Similar comments to S Africa …. but the big 600mm f4 is far too big and heavy to take on the plane and it can screw the baggage allowance
The 600mm f4 is just Ok with the x 1.4 but the x 2 is just too much for it
so I take the 300mm f2.8 and the 300mm f4 with the x 1.4 and x 2 TC's … but the 300mm f2.8VR is still a heavy and big lens
Same considerations for any birding holiday
Moving from the D7100 DX to the D750, I have lost a little range
The 300mm f4 is one of my all time favourites …. but it only likes the TC14Ell and is non VR ……. so you need good light …… and even at 420mm with a DX it is a little too short
the 70 200mm f2.8VR is no good for birding
(my point was that the new Canon 600mm f4 is lighter and takes TC's better than Nikon)
but I'm just bouncing thoughts around … the future must be with a mirror less FX body …….SONY …… if their lens range was good … another thought
The 500mm is considerably lighter than the 600 maybe you should consider a swap it is certainly more practical for lugging around,
Thanks Steve … I know …… and did consider that ……
I'm planning to get a 4 x 4 motorised wheel chair with off road tyres …… they can go anywhere apparently …… so that may help
(it's a joke before Brash come in with a sympathy act)

How about one of these, only have to push it around
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presumably it is an astronomical, (or whatever the word is), plate camera
Shoot bird. Stuff bird. Nail it to a twig.
Job done.
thinking about it - that is quite a cost effective solution …. and no problems with the background ………… but I am a bird lover!!
DunnockNot owning either a 7D2 nor a 1DX but applying some basic economics I would totally expect the more expensive camera to offer some significant advantages. Could you imagine the cries of pain if it didn't ? However is it really a question of once you've been spoilt by the better offering then the lower price camera appears worse but in isolation and it's actually a good offering ?
A bit like owning a high end car and then going back to say a Ford Focus, Astra (other makes are available.......) will seem a backwards step. However on their own they do what the vast majority of owners need.
I have read some of the focus issues on the net and my own take is that some cameras do have a problem but also there appears to be an awful lot that could possibly be down to user error.
With regard to the differences in higher iso quality isn't that one of the things your extra cash buys ? If you NEED the ultimate quality regularly in difficult light then there's the answer. I think a lot of this is down to managing personal expectation and thinking what should I expect for the cash I'm splashing out.
OK rant over
Yes you should expect a better camera for more money and you get it.
Better build quality, better noise control, better handling, etc
I have already said that in isolation the MkII acquits itself pretty well.
I'm sure that there are lots of folk on here with more knowledge of photography than myself but I do have a pretty good idea about what makes a MkII & a 1DX tick. Just because some people are happy with theirs doesn't mean that everyone has to be. Anyone jumping on the 'user error' and implying that people don't know how to use the camera and set it up is a pretty patronising attitude.
Its not about price. The MkII was touted as a 1DX killer when it was launched with some well known photographers shouting its brilliance from the tree tops. Be interesting to see how much of those photographers work is actually done with a MKII
Thanks for your response. Can I ask given you owned the 1DX the factors for choosing the 7D2? Please note I'm not being sarcastic or provocative with my question.
Red Kite
Red Kite
I have read most of this thread with interest and I think everyone is missing the point your equipment is not the problem it's your breakfast, shredded wheat, prunes and tea !! really !!.
Any wildlife photographer worth his salt would be eating rice crispys, toast and jam (strawberry) and lots of strong coffee.
Hope this helps
Regards Bob.
Your only here once Bill, go for it. Scratch that itch.
You could always take up photographing Lego,at least it doesn't move too fast.Thanks Bob
I think I need a lot more than that to re-energise my photography …… too much time on my hands is the problem …… get out and shoot will maybe be said ……… but I fancy a bit of the "exotic"