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Ta, muchly.Mr Dodd, your words are ones to live by. Fascinating reading in this thread which has lead me to read more and widen my understanding of noise, exposure, histograms, f stops, pixels, sensors and crop factors. Many thanks.
Who are you addressing? Squizza? Me? Someone else?What lens did you use? I've been pleased even with the 50D's onboard noise reduction.
If me, all the birdy shots were with my 100-400. The wedding shots were with my 70-200/2.8IS. The theatre shots were with my 50/1.4 and the "ISO Test" shots were with my 85/1.8.
As a raw shooter, on board NR is irrelevant to my shooting. More often than not I do not even touch the default settings for NR in my raw processing software. When I use Lightroom, which is 99.9% of the time I leave NR at 0,25. In DPP I leave the software to choose its own defaults, which varies by camera body and ISO. I may intervene if I feel the need but usually I leave things alone. Once in a while a shot is in need of a much bigger dose of NR and then I will turn to Neat Image, but that is very rare. Since I don't use software with layers and masks I cannot apply NR selectively to the background or other troublesome areas but Neat Image can usually do a very nice job of cleaning up a messy background while leaving the subject not too badly bruised.

I have not added the link for a film v digital debate but for the fact that there is a lot of information and diagrams for those that want to read up. The guy summed up my thoughts, are we expecting too much as manufacturers push the boundaries? We can only answer that as individuals imo. If those images you have presented us with were mine, then I would be more than happy with them. I certainly dont see noise in the example of the lady in your shot as my eye is drawn to those attractive eyes and lovely smile 
