Great lens for car shows?

Sean83

Sean83

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Sean
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At the moment I use the sigma 17-50 f2.8 I used to use the Nikon 24-70mm f2.8 but had to sell it. I take a few primes the 35 and 50mm thinking of upgrading what are your thoughts guys? Using a d3200 at the moment but will be upgrading that too soon.
 
Just not getting to photos I want, maybe they will improve with the new body.
 
Sean83 said:
Just not getting to photos I want, maybe they will improve with the new body.
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Jayst84 said:
Have you considered upgrading your knowledge rather than constantly changing lenses and cameras? It's much cheaper, and has a far greater impact on the quality of your photos.
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What James said.

If you don't know why getting a different body or lens will help you then almost certainly they won't. Given the level of kit you have, which is plenty good enough then if you are not getting the shots you want it is probably down to you.

Or maybe post some examples of why you're not happy, which would help people recommend techniques or kit.
 
Nawty said:
Or maybe post some examples of why you're not happy, which would help people recommend techniques or kit.
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:agree:

What's wrong with the shots you're taking that you're not happy with? Is it the quality? Is your lens not wide enough?
 
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80% of the shots are good, just want the quality to be a bit better. I like my shots to be super sharp. It's hard to always use a tripod. More practice is needed.
 
After doing some more research on the lens it's much sharper at f5.6 and above, where I normally shoot around f4
 
Many people shoot car shows with a wide-angle, so switching to a telephoto can make your images stand out. The trouble is you need patience to use a telephoto at an event or show, and you need to get used to sitting tight and waiting for your moment.

Focus on the details and people too rather than just generic shots of every car slap bang in the middle of the frame. And use the elements around you as compositional aids – frame subjects between other cars, or through windows. Use reflections and lead-in lines to your advance too. Shooting past or through things can add depth and dimensionality.
 
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