TheBigYin
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Maybe it's because I come from a long (no make that a Loooong, Loooong) background of shooting on film, I have a bit of a pragmatic approach - with film, unless you had either an exchangeable back camera, or were prepared to change film mid roll, or waste lots of film by changing the ISO mid roll and altering the dev. time for the "keepers" part of the roll, you sort of had to decide what you were going to shoot on before even stepping out of the house... colour (slide or print) or B&W, slow (25-50iso) medium (64-100) or fast (400)... and a heavy day's shooting might have been 3 rolls - maybe 100 shots tops (apart from a 2 week stint as a ships photographer, where I burned more of Kodak's output than most people would in a lifetime (call it 50 rolls of 36exp a day!).
And that approach, mostly, has come over to shooting digital for me... I don't generally shoot moving things, or sports, or people, most of my stuff is on a tripod, either landscapes or still lifes, and with the landscapes, I'm very often back home with 3-4 images from what I call a very productive day. With the still life stuff... well - i've been known to spend over a week building a set, playing with the lighting, faffing around inordinately, using the camera tethered to my computer, and composing the whole thing in liveview - only to take a single frame of the eventual thing... That shot ends up on my computer, as a raw file, and, yes... it falls in to one of Kipax's categories... it very often gets "substantial" amounts of photoshopping done to it, as I defnitely have a mental image of the final output, which isn't generally what people would consider a striaght photographic representation.
HOWEVER, it doesn't mean, that on the odd occasion when I do have to shoot something thats fast moving and involving people, I try and use the same approach - I'll happily stick the 7D onto "machine gun mode", shoot medium sized jpegs (to avoid flooding the buffer a little longer), play around with the ISO and push it as needed, to get the pictures as required.
The key is using the APPROPRIATE method for what you're shooting. Sometimes its raw, sometimes it's Jpeg, and sometimes it could even be shooting both...
And that approach, mostly, has come over to shooting digital for me... I don't generally shoot moving things, or sports, or people, most of my stuff is on a tripod, either landscapes or still lifes, and with the landscapes, I'm very often back home with 3-4 images from what I call a very productive day. With the still life stuff... well - i've been known to spend over a week building a set, playing with the lighting, faffing around inordinately, using the camera tethered to my computer, and composing the whole thing in liveview - only to take a single frame of the eventual thing... That shot ends up on my computer, as a raw file, and, yes... it falls in to one of Kipax's categories... it very often gets "substantial" amounts of photoshopping done to it, as I defnitely have a mental image of the final output, which isn't generally what people would consider a striaght photographic representation.
HOWEVER, it doesn't mean, that on the odd occasion when I do have to shoot something thats fast moving and involving people, I try and use the same approach - I'll happily stick the 7D onto "machine gun mode", shoot medium sized jpegs (to avoid flooding the buffer a little longer), play around with the ISO and push it as needed, to get the pictures as required.
The key is using the APPROPRIATE method for what you're shooting. Sometimes its raw, sometimes it's Jpeg, and sometimes it could even be shooting both...
