Jack Cardiff stills photo of Audrey Hepburn

Afraid I can't help with the type of camera he used, but Jack Cardiff was a legend (I especially love his work with Powell & Pressburger)

A couple of friends of mine had the good fortune to work with him on a film a few years ago - a genuinely nice person as well as a cinematographic genius.
 
Nearly put this in my previous post. Decided to add it...

My initial thought was probably a Rolleiflex.

However, looking round the web I found a few photographs of Jack Cardiff with a number of his portraits of actresses (he used to joke that he liked 'collecting beautiful women'). Certainly big enough enlargements.

e.g.

http://boxofficemojo.com/movies/?page=media&img=31499&id=cameraman.htm

Now, these all look to be 5:4 and possibly 3:2 formats.

N.B. The photo of Audrey Hepburn in the OP appears itself to be a landscape crop of a portrait orientation original.

http://boxofficemojo.com/movies/?page=media&img=31497&id=cameraman.htm


The Rollei would be square neg (6x6) . It's possible they were cropped, but it might suggest something else like a 5x4 large format camera. It would also be ideal for such big prints.

There's also a nice anecdote from Phil Stern on his web site

http://www.philsternarchives.com/hollywood/stars/sophia-loren/

Phil Stern said:
Legend of the Lost (1957), Sophia Loren’s first big Hollywood film. The movie was shot in the Libyan desert, about five hundred miles south of Tripoli; John Wayne and Rossano Brazzi were the stars. Carlo Ponti was connected to the film. He and Loren weren’t yet married, but he sent along a sort of chaperone – a communist professor from Rome University. Everyone was crazy about Sophia, including the cameraman, Jack Cardiff. Cardiff was so busy lighting Loren, a second cameraman had to be brought in from Rome to see that Wayne and Brazzi were properly lit. The film company shot everyday except Sunday, which was my day to get the occasional still shot of Sophia. Cardiff, who was also a photographer, would pack a camera, tripod and iconic lunch and disappear with Sophia to photograph her. Where was the chaperone? While all this was going on, Cardiff’s wife Julie was on the set. At communal dinners, Cardiff would sit opposite Loren, his wife would sit next to him, and Cardiff would stare at Sophia, ignore his wife, and not eat anything. It was like an Italian comic opera.

Taking a tripod out with you to take photographs at lunch time in the Libyan desert might also imply something bigger than a Rollei, which you ought to be able to hand hold well enough. Though of course, portrait photographers, like landscape people, would be liable to use a tripod more often than most.
 
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I saw a documentary about him on Film4 a few months ago, such a talented man, Cinematographer, Photographer and Painter. And from the interviews with him, a very nice man too. :)

The prints he had were huge as can be seen in the Boxofficemojo link. He didn't mention what camera he used though. The was what looked like a Polaroid or positive of some type which was square.
 
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