- Messages
- 6,732
- Name
- Jim
- Edit My Images
- Yes
Much to my immense distress, I've got to sell the M9 and Zeiss. Heartbroken...Details here.
Bummer. If I had the chops I would be over like a shot but it might take a little saving!
Much to my immense distress, I've got to sell the M9 and Zeiss. Heartbroken...Details here.
The M9-P has an inscribed top plate. You can get your M9 turned into the M9-P for about £1000, but for me the P stands for Pointless. The initial cost of the M9 is high, but no more than say a D3X. It's the lenses that really kill you. The quality of build and optics is amazing, but there is no getting around my 50mm Summilux ASPH is about 9 or 10 times more expensive than the Canon/Nikon 50mm f/1.4, plus you can have a 4-6 month wait for it due to demand, 12 months if you want the massively expensive 0.95 Noctilux which you can buy for about £10k from Hong Kong if you want to jump the queue. Never mind stocks and shares, I wish I'd bought up M lenses a few years back.
Most of the reasons from moving away from the M9 I've seen seem to be people who use it as a hobby/second camera and it is a lot of money to have tied up if you make your money from a DSLR. The cost of lenses or the wait for lenses can frustrate, or quite a few older people moving back to a high end full frame DSLR for autofocus as their eyes aren't capable of focusing the rangefinder patch, or plain old simply need the money in these tough financial times. That isn't an exhaustive list, but it is quite a few of the reasons I've seen.
It's a refreshing camera to use, simple menus and controls and being manual focus you slow down and think about it a lot more than just spraying and praying. It has downsides though, the screen on the back is rubbish, the battery life is so so and carrying a mugger's pension scheme round your neck can make you feel a bit vulnerable sometimes. It's not for everyone, but I enjoy it. You should try one out.
A digital bessa exists, it's called the Epson r-d1!
Just to be clear I'd love to keep the M9 and am very sad to let it go. Just holding it in my hand is a real pleasure. My 1D4 is just not the same.
I may have overpriced it in the for sale section, so its on ebay as item 160675189358 if anyone fancies a bid.
Good (ebay) listing, Tobers - the pics are great.
The tiny bit of 'brassing' on the corner, that you mentioned - was that as a result of a little accident , or does the finish wear so easily ? Just curious :shrug:.
If it was a third of the price with three times as many MPs, I'd be a lot more interested .
yeah ! as it's so rare the price is absolutely silly ! I'd rather spend 1,5k on M8 then 1k on epson.
if it was around 700 I would start saving now.
I think that the price of the M9 merely acts as a 'fair warning' as to what you would be expected to pay for a suitable set of lenses to go with it .
The 50mm f/2 Summicron lens (a tiny, fairly straight forward, but beautifully executed optical design), costs £1,100 to begin with and that's just about the cheapest of Leica's better M lenses (are there any bad ones :shrug:!?). If you decide that you need a faster one, you can almost double that price for an f/1.4 version .
If you want something other than a 50mm prime, you really better have deep pockets, as the 21 and 24mm (f/1.4) primes are both around £3,500 each !
So, shooting with an M9 is likely to be a five figure investment for most people :|.
You can get the Summarit range which is the 'affordable' Leica lenses which are for example a 50mm f/2.5 for under £1,000. I've read they don't seem to sell that well though...
I like things to be made in the UK but other than that I certainly wouldn't buy a product because it was made in Germany or pay more because it was made there and I don't see why I should. However, plenty of people seem to be happy buying and owning German cars, made in Austria, Poland, South Africa...
Ah, now I see . Every extra stop costs you 2,000GBP, which is why this second hand f/1.1 50mm Leica prime costs €5,000 !!! The best part is, it's not even Made in Germany !
(Link ...)
I'm not 'having a go' at Leica here, BTW (honestly ). I rather like the idea that there are still 'aspirational' brands out there in the world of photography - it must make owning one feel like a real achievement, for those who actually get to that stage. Maybe one day I'll join them - who knows :shrug:!
In the meantime, I'll just keep gawping in amazement at the prices .
Dr. Walter Mandler worked at Ernst Leitz Canada (ELCAN) and produced such lenses as the first 35mm f/1.4, 75mm f/1.4, 50mm f/1 Noctilux and the ultra rare military spec 90mm f/1. Optical glass in Germany is still the same as in Canada after all. Made in Germany does seem to command more of a premium for collectors, but Dr Mandler lenses like the 50mm f/2 Summicron are still looked at as the landmark. I've got a Canadian Summicron myself and it is a beautiful lens and I've got a German made Summilux that's a beautiful lens.
Lenses like the Leica 50mm f/1.2 Noctilux aren't even that good compared to their more modern counterparts, but their rarity determines their value. Ebay has one for £16,000 currently. The M9 seems to be the flavour of the month right now, and a camera that people seem to want to aspire to, but it would be totally impractical for a lot of people if they actually switched to it.
I must say, I do 'aspire to' owning a camera like the M9 - it just hasn't been made by anyone yet :shrug:! 18MP is a good start for a sensor, but how much further has sensor technology got to go before it can even hope to catch up with film, from a dynamic range POV at least :|? Before I'd think about actually dropping 4-5k on a camera body, it would have to be a lot more 'special' than anything produced so far (sorry M9 owners. No offence :shake.
Some people think that digital surpassed film quite some time ago and I agree with them. LL said this some time ago and referenced an even older camera...
http://www.luminous-landscape.com/reviews/cameras/50d.shtml
"I would have to say that at 8 megapixels the Canon 20D was better than 35mm colour film in almost all respects and was invading, if not exactly threatening, the 645 format capabilities."
I've owned a couple of film rangefinders but while they are lovely things I personally think that the negatives outweigh the positives and that there are better and more flexible options these days.
You haven't had an M9 though. It's lighter than a DSLR setup, less obtrusive and offers full frame 18mp sensor with no anti-alias filter and lenses you can't get on a DSLR. It can't really be compared to MFT either as it is rather unfair on the MFT considering the price disparity and sensor size.
There is obvious demand there for RFs or RF lookalikes. The hype about the retro X100 and X10 plus people wanting interchangeable M mount lenses on an X200 and the waiting lists for a lot of M lenses as people want them for their M cameras and Ricohs, MFT, NEX etc. Leica can't keep up with demand and is moving to a bigger factory in Wetzlar in 2013, so the demand is there.
They aren't digital rangefinders though. The M8/M8.2 would be my choice if I was concerned about wanting M lenses. Using them on a system for what they were designed for would be ideal.
They aren't digital rangefinders though. The M8/M8.2 would be my choice if I was concerned about wanting M lenses. Using them on a system for what they were designed for would be ideal.
RF's are a minor issue for me, in fact in some ways they are a real hindrance. A fair number of my shots are close ups, try that with a RF.
You should have a closer look at the Ricoh GXR mount which is designed specifically for M mount lenses. The sensor is adjusted for wide angles and no AA filter which will give truer character of the lenses. I brought one as soon as they were released.
Ive was intrigued by rangefinders but having tried one I knew they were not for me. But I knew the lenses are very good which is why I went for the Ricoh M mount. True it's not a rangefinder but for me it is more than capable.
There are many macro shots taken with Leicas. The Visoflex has been around for 50+ years...