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Another vote for the 400mm f5.6L, if you have already got the 70-200mm focal length covered (and a bit more with the TC) the prime lens will sort out the top end, with much better image quality.
I think it's risky to suggest that taping the pins on an extender/telecon is a reliable option.
I have the 70-200 2.8L. It arrived in the post witht he 2XTC on the same day. I unpacked both and took this shot with the lens and the converter fitted...
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It's actually pretty poor quality, even at this small size and certainly wouldn't stand any degree of enlargement. It's not much of a crop either.The 2X TC behind a zoom - even one as good as the 70-200 2.8L will disappoint you very quickly. I rarely use it because it's just too short for birds and I do have better options, but it's easily my least used lens. I really ought to get rid of it, but I hang onto it becuse it's just too good and it will be great when I get around to something else other than bird photography, if I ever stop talking about it and actually manage it.
This shot on the other hand is taken with the 100-400L and it's a pretty substantial crop - certainly over 50%
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If you're going to use converters -put them behind a prime - there'll still be a loss of IQ but it will be a lot less noticable.
I agree 100%. All this talk of how AF 'works' with taped, or non-reporting, TCs is just building people up for a big disappointment when they find out that 'works' actually means 'tries to do something but gives up unless you're shooting something high-contrast in full sunlight'.
Then there are the people who say that a 2x TC works really well with manual focus - and they include a decent image to prove it. But, over time, you see that same image posted again, and again and again. And you wonder if 'works really well' actually means 'worked once'.
mipevo6 said:<snip>
I guess my criteria for selecting the solution are:-
- Flexibility
- IQ
- Cost
I have the budget for the 70-200 F2.8 + 2x so not the primary issue.
Any more thoughts?
Mines about 3 years old I suppose, so it's a MK1 with a MK11 converter.But is it the MkII 70-200? This improves the IQ with converters considerably over the MK1
go for the 70-200 mk 2 with converter nothing touches the mk2 it's amazing![]()
n1kcy said:Hi Martin, I had the same dilemma and I went for the 70-200 f2.8 mk ii with the 2x mk ii tc. There are pros and cons as you already know, if you want to PM me we could arrange a get together and you're welcome to try it out to.
Damn! I bought my 300 f2.8 knowing that I would be using it a lot with a TC. And it turns out that over three quarters of my shots are with the 1.4x TC and 15% with the 2x. Now it turns out that I bought the wrong lens.Never buy a lens with the intention of using a tcon on it.If you do you are buying the wrong lens.
Cedric, you should try the 70-200L 2.8 MkIIIt's in a different league to the MkI.
With a 2x telecon, I believe the 100-400L still beats it, but it's damn close!
400mm f/4 DO IS? Smaller, lighter, and about as sharp as the 300/2.8 with a 1.4x TC. (But considerably more expensive.)Perhaps you could tell me which is the correct lens for somebody wanting over 400mm, handholdable, with IS, the option of 600mm with AF, and with IQ as good as what I get?




Last shot is a first winter black headed gull (winter plumage, the black hood is in spring). They lose the mottling on the wings after the first year.
Any 100% crops? Those shots look sharp, but it's impossible to judge at web size. One seems to have a touch of camera shake, viewing the larger version on flickr.
The 100-400 would be slightly sharper, but with less effective IS. The 400mm prime would be even sharper, but lacking IS all together.
The 400mm prime would also focus faster (the 100-400 probably focusses faster too). The 400 prime would be less front heavy, not sure about the 100-400 because that is also a fairly front heavy lens.
The 300 x1.4 is apparently very similar sharpness to the 100-400.
If you already have the 1.4, that's a nice cheaper option. And the 300 on it's own is very sharp.
The 300 x1.4 is apparently very similar sharpness to the 100-400.
If you already have the 1.4, that's a nice cheaper option. And the 300 on it's own is very sharp.
Does anybody have any comparison shots of a 400 F5.6 or a 300 F4 IS with 1.4 TC ? any comments of how these stack up against a 100-400 ?
I don't know anyone who has this lens and doesn't love it.Part of me says go for the simple option of the 100-400....
I don't know anyone who has this lens and doesn't love it.
Out of these two it should be a simple choice, you said earlier in the thread that the downside of the 400 f5.6 was the lack of flexibility, so why consider a prime 300? Especially if you a) you want a longer length? and b) you are intending to use it with a converter?
Btw I checked the prices of the 400 f5.6 and you can pick a new one up for just £1065, I've tempted myself now.:shake:
I don't know anyone who has this lens and doesn't love it.
Does anybody have any comparison shots of a 400 F5.6 or a 300 F4 IS with 1.4 TC ? any comments of how these stack up against a 100-400 ?
Part of me says go for the simple option of the 100-400....
I would point out that I think the copy of the 100-400 tested on the-digital-picture is above average in it's performance wide open at 400mm.
There are 'golden' 100-400 copies around. If you compare the 100-400 to the 400 prime on that website, the difference is very small. Most people report the prime as being definitely sharper wide open (as it should be when you are comparing a 4x zoom to a prime).
Part of me says go for the simple option of the 100-400....
I love mine but never get to use it so (SHAMELESS PLUG) I am selling one (practically new) in this forum for only £770+postage![]()
I'm not sure what your point is. Are you saying don't buy the 100-400L because you might not get a good one?! I seriously believe the chances of getting a duff one, new, are extremely low - Canon have been making the them for over 15 years now. Sure there are sub-standard copies about - it outsells all of Canon's long primes put together and there are thousands and thousands of them about, many of them old, worn, bashed and bruised. No wonder.
In the (unlikely) scenario that you get a sub-standard copy, then send it back to Canon - they can bring any lens up to top spec. Faulty components and sub-standard elements just don't make it to the final assembly stage, so if something's been misaligned, decentered, or somehow damaged, it can be sorted - FOC on a new lens.
Let us know what price he comes up with!