20 years laters and we have the Nintendo 3DS, HTC 3D Evo, Fuji FinePix 3D...
And I seem to remember something similar being said about this new fangled thing using digital sensors to capture images that would never replace film. It never caught on, did it?
As Jim says above really.
3D has been around since the dawn of photography and comes and goes at regular intervals. Nobody has overcome the problem of viewing because you need two of everything to make it possible - for both shooting
and viewing. For as long as we have two eyes.
It's great for gaming, but nothing else. 3D cinema audiences are dropping and I don't know anyone who has bought a 3D TV or camera, though I guess they must exist. Basically, nobody wants it and our brains are very good at recreating a 3D image in our minds from a 2D scene.
I don't think anybody ever said digital wouldn't catch on, if the quality could be delivered at the right price. And when it did, it immediately swept film away. Obvious. Edit: Sony's Mavica, from the early 80s, was not the breakthrough digital camera - it had the wrong technology (basically video tape on a disc) and could only manage 0.3mp resolution which was never going to get very far.
The problem with Lytro is that it does something nobody wants, the ability to refocus an image after it's been taken, when it's not hard to do that at the time of shooting. And as far as the mainstream consumer market is concerned, they use compacts and phone-cams where everything is sharp front to back anyway.
That Lytro guy talks the kind marketing mega-[PLEASE DON'T TRY TO BYPASS THE SWEAR FILTER] you can drive a coach and horses through sideways. It's full of buzz words, meaningless hyperbole and ridiculous assumptions and contradictions. The only thing he doesn't say is that if he can con(vince) a major manufacturer into taking it on, he'll make a fortune. That's the only reality.
The other thing is image quality, which is feeble because Lytro effectively shoots a whole range of images at different focusing distances simultaneously so you can choose the one you want later. The downside is that sensor resolution is dramatically reduced, effectively divided by however many focusing zones there are.
It also occurs to me that if this is a desirable feature, then something like the new Nikon 1 could shoot an extremely rapid sequence of high-res frames (it already does 60fps) at a range of focusing distances and do the same thing - using existing technology and with far higher quality. The problem is, nobody wants it.