- Messages
- 3,510
- Name
- Wayne
- Edit My Images
- No
First of all a big thank you to those of you who recommended Ansell Adams books, I have been reading The Negative and its turned my understanding upside down, I particularly like how he ties the exposure, development and printing together into one concern.
It is leaving me full of questions to which I am sure that you guys and gals have all the answers. I have, when using manual cameras, been using incident metering by enlarge on MF and auto on the 35mm cameras apart from F2. How can an automatic setting get it right when it does not know the exposure latitude of the film, and come to think of it neither do I. What is it measuring to arrive at its conclusion ? Is it placing the average reading of the whole scene on 18% grey or comparing the brightest and darkest areas in some way.
It is leaving me full of questions to which I am sure that you guys and gals have all the answers. I have, when using manual cameras, been using incident metering by enlarge on MF and auto on the 35mm cameras apart from F2. How can an automatic setting get it right when it does not know the exposure latitude of the film, and come to think of it neither do I. What is it measuring to arrive at its conclusion ? Is it placing the average reading of the whole scene on 18% grey or comparing the brightest and darkest areas in some way.