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Umm.. barring extremes (i.e. where you actually are using a wideangle lens that has a different projection onto the sensor - e.g. fisheye lenses) no I'm not.Physics is never my strong point (or punctuation and spelling sorry) but I'm pretty sure you are wrong.
Yup... that's called using a shorter lens and magnification doesn't distort - it is a linear transform.A 50mm on a ff has little or no magnification, the front and back lens are identical. To fit the same field of view onto a smaller sensor there will need to be some sort of opposite magnification (what ever this is called) .
I think you're misunderstanding what's going on here.I think your misunderstanding perspective regarding wideangles, yes moving your position e.g birds eye view is changing the perspective,
You are mistaking different focal lengths on the same sized sensor as having the same effect as different focal lengths on different sized sensors.
Assuming an exact crop factor of 2 (and the same aspect ratio to make things exactly equal), trigonometry says that a sensor that is half the size requires a lens that produces a cone of light that is half the diameter for the same field of view. A 25mm lens on an x2 crop will give the same field of view as a 50mm on full frame. It is this that allows us to talk about focal length equivalences. What does change is depth of field at particular apertures (i.e. 2.8 will render depth of field differently for the two images).
but when people are using the term in regards to wideangles, they are on about the perceived distance from something in the foreground (larger) to something in the background (smaller) or vanishing point. This is exaggerate with wideangle lenses.
You are talking about the effect demonstared here: http://en.wikipedia.org/wiki/File:Focal_length.jpg
That is using different focal lengths on a single sensor and moving positions to make the red container appear the same size in each picture. In this case, the lens distorts the perspective.
If I were to use an x2 crop sensor and have lenses half the focal length, I could replicate the exact pictures there simply by taking photos at those positions.
I'm not sure which of the two posts you are referring to there (the order is different in the two posts - in the first post it is 5D2 followed by G3, in the scond post it is G3 first, 5D2 second). Don't forget the fact that they were taken at different positions so you can't compare the perspective - plus they have not been corrercted in post, so you still have the inherent (slight) lens distortions included .To be fair looking at your pictures this is much lesser problem than i expected, but looking at the perspective I would say the 1st one is the mft
There are actually 2 things that give the first image in the 100% crop away as the micro 4/3rds. The first is the 5D2 has more pixels. When it is viewed at 100%, the 5D2 image will be bigger. The one on the right is bigger. The second is as the 5D2 has a bigger sensor, it works the lens less hard to capture the same information. This can be seen as better contrast in the image in the fine details - it looks sharper.
That's very true, but a 16mm lens on a Full Frame is termed wide angle. The same focal length on a MFT isn't wide angle. If you put an 8mm lens on the MFT, and took the same picture as the 16mm on FF from the same position, you'd get the same looking image.If we took a wideangle lens and shot a person’s face close up it would make their nose look larger than usual because its exaggerated perspective.
But if you crop it, you are effectively cropping the focal length too so cutting a MFT sized area out of the FF image is equivalent to changing the focal length by 2....If did this experiment on your 5d then cropped the mft out of the image the person would still have a distorted face would he not?
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