I like pretty pictures - I feel bad for admitting it now reading through this thread
We have an Art gallery near here, the Hepworth, so I popped in one day for a look, I didn't get it at all. A party of mentally challenged people were in and one young lad asked his carer "What is it?" looking as an amorphous sculpture, she replied "Whatever you want it to be", he looked as perplexed as I was. I went for a closer look as it was a nice 'blob' but then I read the note that said it represented something about humanity's struggle with the environment and it suddenly went from 'nice blob' to WTF
A week later I took my son & daughter too (16 & 22 at the time) and they summed the whole gallery up as - WTF
I guess we don't get Art then
Dave
I like pretty pictures. Everyone does. I sometimes get the feeling that I'm regarded as anti-pretty. I'm not. I do a fairly good line in pretty pictures myself.
I'm just not proud of it. Any competent photographer who was there at the same times could have taken that, It's not art. It's a technically great image, and compositionally it works well, and it's beautiful... but it's not really doing anything other than look pretty.
Nothing wrong with pretty pictures... it's just highly questionable as to whether it's art or not. I don;t think it is, even if I did take the image. It's just pretty. As so many competent amateurs can, and do take stuff like this... in their millions... I just don't see the point in expending the energy, and money to produce more of the same.. even though occasionally I can't resist the temptation to to just shoot something impressive visually. I do understand the appeal of doing this kind of work.
As for the art gallery you visited, well.. some art is more challenging than others, and some art if just pretentious b****x. Even I will admit that! However... so much of it is not. A great example of how art photography can be wonderfully shot, witty, clever and thought provoking, and controversial all at the same time, is
Christina De Middel's afronauts.
Quite rightly it was nominated for the Deutche Borse prize in 2013, and quite wrongly didn't win.
I love this. It's thinking photography.
@Byker28i I've no problem with those values, but remember the pretty that was see in art should also serve a purpose, and you need to understand why you do it. You need to understand why classical rural landscapes were painted (in the main) and why they were popular. It was just that we like pretty things for pretty's sake, as the video suggests, they serve a purpose in society.. AT THAT TIME. Values 2, 3, 4, and 5 are bang on. ! is actually... but there's caveat... know why you're doing pretty and why pretty is popular. There have been times in history when pretty has not served it's purpose, and that's when tension arrives.. that's when there is a dissonance between popularise art and the art that the art world wants to produce. It parallels socio-political developments. It's no accident that Dada and surrealism hapepned when it did, and it's no accident that pop art happened when it did.. etc etc..
Pretty is so popular now for 2 reasons... we're going through some pretty sh1tty times. It's not all out war like WW1/Dada perhaps, but it's a slow, relentless drip of discontent with class division, political stagnation, relentless and brutal, faceless economic growth demands/Resource shortages.. all of it. In times of woe, art, movies, literature and games take on a new meaning.
HOwever... (always a however) there's a more insipid, brainless reason this time around, and that is the sheer ease by which people can produce art now. There are no barriers to it any more. Art has been truly democratised by technology. The very devices you carry to make phonecalls, check your e-mail and consume porn with (be honest... it happens) are also the devices that can fuel Flickr, Instagram etc. There's an increase in teh vernacular that sits awkwardly with established artists, and those that have studied it. We don't think it's bad, but we think it's a double edged sword. Historically art movements, while driven from the ground up, were always driven by artists and "bohemian" types for want of a better word... now it's everyone. The result is images that have not been created for a reason, but have been created because it's just so damned easy to create them.
From the outside looking in, this democratisation has not made it easier to access or understand art at all, it's actually confused the issue as to what art is, what it's for and what constitutes art in the first place. So someone instagramming their meal is not art. It could well be of historical importance, in as much that it's part of a canon that will be significant historically, and is already responsible for artists response to it, but in and of itself, it's not art, because it was not considered. Some things become art after the fact though, so we'll wait and see.
Art for me is always a response to life. That need to make a point. To say something. SOmehow... it shows.. it comes through in the image, or it's story. A great landscape (even a pretty one) CAN be art if the person taking it was just so moved by the innate beauty that they absolutely MUST capture it and show it. However, the vast majority of pretty landscapes I see are just taken because they want a slice of the action, and want the attention received via social media, or the recognition from their peers. They don't really give a sh1t about the subject they shoot... they just want to make cool stuff to show off with, and receive prise vicariously via people they'll never meet. I can sniff out the bullsh1t and so can anyone who knows anything about art.
I've seen some pretty shoddy landscapes technically, but they're moving.. I can tell the author was just so overwrought with a need to show me. I've seen some technically good stuff that lacks that... and has just been reduced to a platform to show off (overdone) processing skills, and to pander to what's popular on Flickr.. and that shows too.
I have a friend who shoots landscapes, and he's only been doing it for a year or so. He's making the same progress we all make. He's feeling his way through the processing wall a little bit... relying on the shiny things, but he keeps going back to the same places, over and over again... he's clearly in love with his subject. There'll be that need to capture the soul of the place burning in him. He'll find a style, and he'll do good work.. of that I'm sure. Considering the steepness of the learning curve.. he is already actually.