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- Simon
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A couple of months ago I booked a landscape photography workshop with Jeremy Walker through the Dorset based photographic specialists Robert White.
The day was attended by five including myself which gave great one-to-one time with Jeremy Walker and Stu from RW Photographic. Tuition and guidance was given on the use of filters and there were also a whole bunch of Zeiss and Voigtlander lenses on hand to test.
I've fallen for the Zeiss lenses in a big way !!!
With the workshop starting at 09.30 I decided to get an early start which had me heading to the only place to be for a sunrise on Portland, the Lighthouse. I arrived a little late but the cloud on the horizon afforded me the time to find the classic shot and I was rewarded with huge seas and fantastic light.
The was the best of a bunch before my filters got coated in salt spray.
Nikon D700, 24-70 at 24mm, ISO 200, F18 for 1/4 sec, Singh-Ray reverse 3 stop GND.
Portland Lighthouse Sunrise.
Following on from my sunrise shot at the Lighthouse I headed to the hotel to start the workshop. After a brief introduction and discussion on filters we made the most of the changeable conditions and headed out. Our first shooting location was Chesil beach.
I try to simplify my compositions and keep things out that don't add to the image. This was a change of shooting or me whereby I normally only go out for sunrise and sunset shots. I have now realised that if conditions allow, i.e. very grey and overcast skies, you can shoot all day long.
Nikon D700, 24-70 at 24mm, ISO 200, F16 for 15 sec, Lee "Big Stopper" and 2 stop hard GND.
Chesil Beach
Mid afternoon was spent shooting a series of images at Ope Cove on the beach below the church ruins.
I am often guilty of over using the ten stop filter but I find it allows to simplify the image creating something that would otherwise not be seen.
During the workshop I learnt so much about "working" an area to get the most from it. I spent an hour and a half making images within a small area of the beach.
My first shot with the Zeiss 21mm Distagon, wow !!!
Nikon D700, Zeiss ZF.2 21mm f2.8 Distagon, ISO 200, F11 for 10 sec, Lee "Big Stopper" and 2 stop hard GND.
Ope Cove.
I found this rock that looked a bit like a Nike "tick" logo.
The lines running from the stone towards the sea stood out and led my eye thorough the image.
Nikon D700, Zeiss ZF.2 21mm f2.8 Distagon, ISO 200, F11 for 20 sec, Lee "Big Stopper" and 2 stop hard GND.
Just do it.
To end the workshop we spent the time at the Lighthouse shooting into some amazing light.
This next image was made from the rusty crane / derrick area of rocky outcrop. We were able to shoot directly into the light as the clouds were naturally filtering and spreading the strongest tones and softening the brightest light.
Due to the wind and spray it would not have been possible to have shot from the other side towards the lighthouse so we stayed here almost until it was dark.
Nikon D700, Zeiss ZF.2 21mm f2.8 Distagon, ISO 200, F11 for 30 sec, Lee "Big Stopper" and 3 stop hard GND.
Lighthouse Sunset.
The final image of the day.
Whilst the classic sunset shot was not available to due to wind and sea spray this one was too good to miss.
Ten minutes after the sun disappeared behind the clouds on the horizon behind me we were treated to this light show.
It's amazing what the camera sensor can record, long after the eye has turned everything to dark tones.
This shot reminded me to keep shooting until the sky is black !!!
Nikon D700, Zeiss ZF.2 21mm f2.8 Distagon, ISO 200, F11 for 1/3 sec, Lee 2 stop hard GND.
A great day out, well tired by the time I got home, only started processing these last night and this morning, never so many keepers in one day. Hopefully these six give a feel for how the day went.
C + C greatfully received.
Cheers,
Si
The day was attended by five including myself which gave great one-to-one time with Jeremy Walker and Stu from RW Photographic. Tuition and guidance was given on the use of filters and there were also a whole bunch of Zeiss and Voigtlander lenses on hand to test.
I've fallen for the Zeiss lenses in a big way !!!
With the workshop starting at 09.30 I decided to get an early start which had me heading to the only place to be for a sunrise on Portland, the Lighthouse. I arrived a little late but the cloud on the horizon afforded me the time to find the classic shot and I was rewarded with huge seas and fantastic light.
The was the best of a bunch before my filters got coated in salt spray.
Nikon D700, 24-70 at 24mm, ISO 200, F18 for 1/4 sec, Singh-Ray reverse 3 stop GND.
Portland Lighthouse Sunrise.
Following on from my sunrise shot at the Lighthouse I headed to the hotel to start the workshop. After a brief introduction and discussion on filters we made the most of the changeable conditions and headed out. Our first shooting location was Chesil beach.
I try to simplify my compositions and keep things out that don't add to the image. This was a change of shooting or me whereby I normally only go out for sunrise and sunset shots. I have now realised that if conditions allow, i.e. very grey and overcast skies, you can shoot all day long.
Nikon D700, 24-70 at 24mm, ISO 200, F16 for 15 sec, Lee "Big Stopper" and 2 stop hard GND.
Chesil Beach
Mid afternoon was spent shooting a series of images at Ope Cove on the beach below the church ruins.
I am often guilty of over using the ten stop filter but I find it allows to simplify the image creating something that would otherwise not be seen.
During the workshop I learnt so much about "working" an area to get the most from it. I spent an hour and a half making images within a small area of the beach.
My first shot with the Zeiss 21mm Distagon, wow !!!
Nikon D700, Zeiss ZF.2 21mm f2.8 Distagon, ISO 200, F11 for 10 sec, Lee "Big Stopper" and 2 stop hard GND.
Ope Cove.
I found this rock that looked a bit like a Nike "tick" logo.
The lines running from the stone towards the sea stood out and led my eye thorough the image.
Nikon D700, Zeiss ZF.2 21mm f2.8 Distagon, ISO 200, F11 for 20 sec, Lee "Big Stopper" and 2 stop hard GND.
Just do it.
To end the workshop we spent the time at the Lighthouse shooting into some amazing light.
This next image was made from the rusty crane / derrick area of rocky outcrop. We were able to shoot directly into the light as the clouds were naturally filtering and spreading the strongest tones and softening the brightest light.
Due to the wind and spray it would not have been possible to have shot from the other side towards the lighthouse so we stayed here almost until it was dark.
Nikon D700, Zeiss ZF.2 21mm f2.8 Distagon, ISO 200, F11 for 30 sec, Lee "Big Stopper" and 3 stop hard GND.
Lighthouse Sunset.
The final image of the day.
Whilst the classic sunset shot was not available to due to wind and sea spray this one was too good to miss.
Ten minutes after the sun disappeared behind the clouds on the horizon behind me we were treated to this light show.
It's amazing what the camera sensor can record, long after the eye has turned everything to dark tones.
This shot reminded me to keep shooting until the sky is black !!!
Nikon D700, Zeiss ZF.2 21mm f2.8 Distagon, ISO 200, F11 for 1/3 sec, Lee 2 stop hard GND.
A great day out, well tired by the time I got home, only started processing these last night and this morning, never so many keepers in one day. Hopefully these six give a feel for how the day went.
C + C greatfully received.
Cheers,
Si
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