Review REVIEW : Portrait lighting workshop 20th March 2011 - Maidstone with Jonathan Ryan

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Name
Darren
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Seeing as I needed to start posting I figured this was a good subject. These are just my views on the experience, but it may be helpful for someone else considering one of these courses.

Camera: Nikon D5000

Experience
Limited, I have only owned the Nikon for about 6 months. Currently 12 weeks into a City and Guilds Level 1 (limited but the tutor is great and covering more in depth topics than would normally be covered). I am really getting a lot out of the C&G the further we go into it, although I wonder if a lot of that is the current tutor.

Equipment
  • 2 x Lencarta Elite Pro 300, Soft box, Snoot, Brolly, Standard Reflector
  • Yongnuo Speedlight YN460-II (at £35 couldn’t resist)
  • Seconic L-358 Lightmeter (OTT but got carried away)
  • Standard kit lens
  • Various remote triggers for the camera and lights

Photography interests
Product’s (I run several e-commerce websites and the supplier’s pictures are generally bad), aiming for the usual white background look. The products are generally glass or white plastic in clear plastic wrap.

I am also looking to take better pictures of my children and I quite like the idea of portrait style pictures.

I am not looking to be a pro or even semi-pro, I am happy in my current job and the only overlap I can foresee is related to the products. I am not creative (at all!) but I still like photography generally so won’t let that put me off :) and I have considered doing the Level 2 City and Guilds if placements allow as this is more studio based.

I bought the Lencarta lights after buying some continuous lights from http://www.stevesphotoshop.co.uk and realising that these didn’t give me the flexibility I wanted in respect of the control to light the background and the products. Initially I wanted the smartflash but after reading various forums decided to spend a little extra and get something that would ultimately last a little longer (in terms of my requirements rather than the equipment failing). I choose Lencarta for a number of reasons, the price was a good start but I had watched numerous videos with Gary and felt confident he knew what he was talking about. I had also emailed him with a question and had a prompt reply back with nothing but helpful information (unrelated to Lencarta equipment).

The kit was delivered next day and I have had no regrets (apart from maybe wanting another couple!)

So when I saw the day courses I figured it was a perfect way to get a better understanding of the kit I had and how to use it (rather than have all the gear but no idea).

The Review
The course I attended was run by Jonathan Ryan in Maidstone. I was a little apprehensive because although I am not stupid I still know my limits and have a serious lack of knowledge generally (I am also at that stage of thinking too much about various settings and not on the photo I am taking).

First one into the room and I am met by Jonathan with a big smile and welcoming hello plus loads of kit. Despite him not expecting me (my name was missed off the list) I wasn’t kicked out :wave:. He is a real character, has a very good way of making you feel out of your comfort zone and squirming but without making you too uncomfortable to the point that you want to quit.

The other attendees were far more experienced than me, mostly with expensive kit and stories of paid work they had recently done. As we went around the room I was starting to feel more and more out of my depth. There was me with my 6 month old SLR and a ton of gear I don’t really know how to use sitting in a room full of people that are mostly there to move one step further towards becoming a pro. When it’s my turn to tell everyone the camera I bought I was expecting someone to laugh (mostly Jonathan), but no one did. Jonathan showed interest in the camera and said he felt it was a pretty good model. That I found kind of cool and helped make me feel relaxed generally. He also pointed out that if I wanted to really understand products to go and pay Gary a visit - he was the king of products and they bored the pants off of Jonathan!

Everyone pretty much knew Jonathan or at least of Jonathan. They were mostly regulars to the TP forums. Me, not so much. I did not do any googleing had no idea who he was or what he was about (sorry Jonathan lol).

So there I am, we have done the meet and greet and covered some basics (seen some shots he took that generally smash the concept that photography has rules) and then he gets right into the inverse square rule of light. If I didn’t feel out of my depth before I certainly did now! But this was the turning point, the first slide made me panic. I am looking at the projector thinking how do I pick up my bag and camera and run before he can close the door, tackle me to the ground, stick the numpty cap on my head and ask the group to take photo’s….

So then the next slide is displayed, and with an explanation from Jonathan it starts to make sense. No really it did! I am not saying I totally got it, but it did make sense. Lesson 1 of the day!

We spent some time going over the Lencarta kit generally, a few questions and answers. Jonathan asks me to fit a softbox to a head which I am comfortable enough doing, its not hard (or is it). While I am in the middle of this I mentioned that I always worry about taking off the softbox - I worry with the weight I am going to smash the lamp as I lift it off. Here comes lesson 2 of the day – Jonathan explains (and shows) that you should always attach the head to the softbox (on the floor) rather than the softbox to the head. This way it won’t get broken and is far easier.

In walks Amy and then bang we were into the practical. There was no time wasted, we were setting up a single light shot (as Jonathan explained if you don’t know what one light does how can you possibly understand what 2 or 3 do?).

Taking pictures of Amy was really hard for me, instructing a total stranger whilst worrying that I looked like a total idiot in front of 7 other photographers was a real mission. I was not thinking about my photos - all I wanted to do was press the trigger, pass the hot shoe trigger to someone else and sit down. This funnily enough is exactly what I did! 10 minutes later I realised that my pictures were seriously over exposed. I looked around and everyone else had nice shots with a grey/black background. So sheepishly I mention that my pictures are over exposed, Jonathan grabs the camera and takes a look.

Now I know for a fact that I setup my camera correctly, however at this point Jonathan is insistent that I did not listen and had set the camera wrongly.

I’m looking at the menu showing the current settings:
  • Manual mode - check
  • F8 – check
  • ISO 200 – check
  • 1/125 check

Jonathan is looking at the pictures and the exif data. At this point I am thinking crap, my camera is broken. It is set to one thing and clearly doing another. Then he pipes up “you don’t have auto ISO on do you?” Auto what?? I didn’t even know I had an auto ISO. Even though it was in manual mode the camera had turned on auto ISO. For the last 2/3 weeks I had noticed that the ISO setting wasn’t working correctly but didn’t look into it too much as I had been busy and only taken a handful of pictures. Lesson 3 of the day!

The rest of the day was taken up with nothing but practical. Amy didn’t make anyone feel awkward (although I think we all struggled with the concept of a model in front of us). We covered high key, low key, general lighting and the various light modifiers. It wasn’t structured in a way that we covered each light modifier separately; it was more of a ‘pick one and let’s see what it does’ – and it really felt like it worked.

Now I know to some this will sound stupid, but I kept seeing Jonathan and a few of the others with blinky’s enabled (the camera flashes over exposed areas of the picture) which was perfect for the high key lighting. I kept seeing this thinking – cool, wish my camera did that – Lesson 4 of the day – it does!

The other interesting feature was seeing Lightroom in action. I have seen various youtube videos where the camera is tethered to the laptop and the pictures appear instantly on the screen. I have always wondered about this and thought it was really cool. Again wishing I could do this – Lesson 5 of the day – I can (now I have got a copy of Lightroom 3)

Conclusion
It was clear that each course is tailored to match the people attending (or at least if that wasn’t the plan that’s how it panned out). So don’t be put off if like me you are at the early stages, I am glad I went and would go again on the same course.

Jonathan was brilliant, quirky, fun, lively, seriously switched on and full of useful advice without being judgemental or patronising. Everyone was accepted, no one was made to feel stupid and midway Jonathan asked how we felt it was going and if he was moving too fast.

Amy (our model) was great; she put up with us and did a fantastic job of looking great, despite being a last minute replacement (due to the booked model breaking her leg the day before!).

The other guys on the course were all equally great - everyone had advice, wanted to learn (and help).

Finally the equipment was spot on. It did what it said on the tin. Worked without fail and just made me want to buy more :).

At the end of the day I had enjoyed myself, but was questioning if the course was really for me. After the hours drive home and chatting the next day with various people I realised I had learnt a lot more than I realised. Various things about the day came back to me, simple comments, practical things and generally understandings.

I picked up far more than I expected if not everything I expected. In truth I am not sure what I expected to come away with but overall I got a lot out of the day.

Taking all that into account I would certainly do another of Jonathan’s courses, and I am also really keen to attend one of Gary’s courses at some point. I was probably 6 months too early in my experience level but I understood enough to get a lot out of this course. I would be happy to do the same course again in addition to any others.

It has made my mind up about going on the Level 2 C&G and at some point I will expand my lights with more Lencarta kit.

The final lesson of the day became apparent – know your camera, which I clearly didn’t :).

On reflection I think that as a 2 day course it would be fantastic, if it was in a studio that would be even more amazing. One day was great, 2 I think would allow everyone to come away with so much more. Working in the hotel had restrictions, space, height etc.. which I felt was a good thing in that it was more ‘real world’ for a lot of people. These are the restrictions that people have when working in living rooms etc… so it has its place, but maybe a follow on course in the studio would work along side (obviously the cost would be more).

For the current price of £60 this was a fantastic day, with a wealth of knowledge from Jonathan.
 
Great write up. I'm booked on the next course, so we'll see how I get on!
 
Unfortunately I haven't seen Jonathan at work on one of his lighting workshops but, having worked with him for a few days at Focus, I'm sure it's great fun:)

From what I know of him, I'm guessing that his approach is more creative than mine and that my approach is more technical than his - which is probably why I like photographing products and he hates it!

I've run quite a lot of these courses and if it's any help, we nearly always get at least one person on each who has never tried studio photography before, and usually at least one who doesn't even know the basic settings on his/her camera, so don't worry about your own lack of expertise - these courses are designed to help people of all levels and beginners are just as welcome as more experienced people.

I understand what you're saying about the advantage of working in a studio - more space, higher ceilings, more specialised equipment - but as you rightly point out, most people don't have access to a professional studio so there are big advantages in having to make do in a less than perfect space too. The cost of these lighting workshops isn't directly related to the facilities provided, they are subsidised by Lencarta. The reason that my ones are held in a studio and Jonathan's aren't is simply that most of my own work is studio based and most of Jonathan's is on location, so he can manage without his own studio.

I'm glad that you found it helpful, TBH I've never come across anyone who hasn't:)
 
Thats a great review - well done for posting it, its great to hear your experience.

Been meaning to sign up for one for ages so its time I did especially as I bought two flashes last month :)
 
Woah - great write up! And not just because you say nice things about me ;)

Really useful to hear your feelings about the day - I do try to pitch it to the abilities of the delegates but it's always tricky with a mixed group.

BTW you felt nervous? I was in front of a bunch of semi-professional photographers with no clear plan..... :)
 
I am not sure where all the words came from, they just kept flowing :)

You didn't pitch it wrong, I felt it worked for everyone. It would be interesting to know how others felt (as everyone wanted different things from it) but for me it worked.

I guess my point was, had I known the level of everyone before hand I wouldn't have gone (due to a lack of confidence) but I am so glad I did!

I came away with a lot and wouldn't be afraid to go on other courses and would urge anyone who is "thinking about it" to take the plunge.

I purposely didn't put exact details of everything we did as not to spoilt it for anyone else :)
 
I guess my point was, had I known the level of everyone before hand I wouldn't have gone (due to a lack of confidence) but I am so glad I did!

But you were there to learn wasn't you ?

I've done two of these, one with Garry (the first one he did) and one with Jonathan. They both have different ways of doing it but they accomplish the same end goal - Giving you an introduction to the Lencarta products and the basics of studio lighting.

I'm now confident that I can set up my lights and within 10-15 minutes get close to the results I want for a basic portrait shoot. This then gives you the confidence to experiment by moving the lighting around.

Mr Ryan, you may not have had a game plan, but you're far too professional to just wing it. You knew what you had to do, just not sure how to deliver it until you met the group :D

Steve
 
I attended the lighting course yesterday in Maidstone and I wholeheartedly agree with the above comments. It was not only a great learning experience but also great fun.

Not only did we learn a lot about lighting from Jonathan, Claire, our model and Holly, the make up artist gave us a lot of tips and information.

Unfortunately the cost of the course has gone up now but if you want to learn more about studio lighting with a great tutor it's still damn good value for money.
 
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