The Sigma 10-20mm f/4-5.6 is a better performer than the f/3.5. Less distortion and CA. It's certainly not worth the extra £200 for what many (that I've spoken to, who have owned/used both lenses) consider to be an inferior lens.
Let's face it, an extra stop or two at these focal lengths isn't going to make a difference. If you have to shoot 1/30th of a second instead of 1/60th of a second to get a stop back, camera shake isn't really going to be an issue.
I couldn't tell you about the Canon one, but for Nikon the Sigma 10-20mm f/4-5.6 is the clear winner, especially for that kind of money.
What he said. I regularly shoot at around 10-12mm on my Sigma (which means I can go down to f/4) at 1/13 and get steady images. I often use mine as wide as I can go which means really to me, it's an f/4 lens. The extra dough for half a stop that I can always add by upping the ISO isn't worth it. As also mentioned, quality seems to be an issue on the 3.5.
Don't forget as well, the 10-20 is an EX lens - this stands for
Excellence, which is Sigma's highest quality, professional line of lenses. It's basically the equivalent of a Canon L glass or the pro NIKKOR lenses - but for great prices.
Don't let brand snobbery sway you. I've taken many photographs of the entire spread of a newspaper with my Sigma - and you can easily read the print. It's a great lens, never far from my side. You also get a free bag, and a hood with it, it feels gorgeous in your hand and the focus/zoom rings are silky smooth.
I <3 Sigma
Yes, there are the QC issues but if you get a bad apple, return it, simple.
BTW: Barrel Distortion on the Sigma is very, very well controlled. At around 10-12mm, there is slight barrel distortion in the corners, where your object will appear to bend 'around' the corner slightly.After about 13mm this starts to pincushion, so basically shooting at 12mm ish will give you almost perfectly formed image.
Have a look at the lines on this image:
NO PP was done to correct that.