Hmm. So that's crap is it. Or maybe not. Take a seat at the front of the class ruvor
The rest of you doubters sit in the corner. Facing the wall. We'll come back to you later.
For all lenses, the f/number and focal lenth only hold absolutely true when focused on infinity. (That's what the figure 1 is referring to, when you see 1: 2.8 on the front of the lens, since you ask
) When you focus closer, things change. They don't change much at normal focusing distances, but when you get down under say 1:4 magnification ratio they start to change a lot, and quickly. Normal depth of field calculations go wonky too. Macro is a whole different world in more ways than one.
When you get down to 1:1, which is where the OP is heading, the light loss is 4x, or two stops. Your f/2.8 lens is now effectively f/5.6. And this is regardless of whether the lens is internal focusing or not, and also holds true regardless of what that link to lowendmac appears to imply. The way I read it, that's not quite right either.
Not only does the f/number change, but focal length reduces a bit too. Especially on internal focus macros, but that is really very slight. It's a purely technical point anyway, and has no real world significance. The reason for the f/number changing is the Inverse Square Law - a fundamental of physics. It's the bane of flash photography too, but I won't go into that, and neither is this the thread to explain magnifications ratios.
The fact remains that when you get down to a magnification ratio of 1:1, even though the viewfinder may well still say f/2.8, it is effectively f/5.6. For those of you facing the wall, which is evenly illuminated I hope, set your camera to Av, select f/2.8 and focus on infinity. Note the shutter speed. Let's say it reads 1/125sec. Now focus the lens right down to 1:1 and check the shutter speed again. It will now read 1/30sec. Two stops different.
DogfishM, take 100 lines. "At a magnification ratio of 1:1, the marked lens aperture is effectively reduced by two stops and my camera is telling porkies."
Richard