Tamron 17-50mm f2.8

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Tom
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Hi all, sorry if this has been covered before, i did do a search but came up with nothing :shrug:

im strongly considering getting this lens, as it is what quite a lot of people have suggested to me.

Firstly, what do all the abbreviations mean in the full title of this lens :lol: nd is it the best version of the lens?

'Tamron 17-50mm f2.8 XR Di-II LD ASP IF Lens'

and secondly, and most importantly, what is the build quality like on this lens. i am dubious of getting a tamron, as i had a 70-300 tamron on my old Samsung GX10 and it felt pretty cheap, and with the kind of price a 17-50 demands, i want a good feel to the lens.

Thanx, Tom
 
Having owned one:
Pro's:
It costs less than the Canon/Nikon equivalents
It's still very sharp

Con's
Motor is noisy
Focusing in low light is not great
Bokeh is bad compared to 50mm f/1.8 or f/1.4 lenses.
 
Cheers for the reply.

with regards to the low light focussing, does it hunt for a while? and maybe even not find the target?

can you suggest an alternative lens that doesnt hunt but has a similar IQ
 
Cheers for the reply.

with regards to the low light focussing, does it hunt for a while? and maybe even not find the target?

can you suggest an alternative lens that doesnt hunt but has a similar IQ

Canon 17-55mm f/2.8 IS. You know the price tag :rules:.
 
My Tamrom 17-50 arrives this morning...looking forward to playing with it and will let you know :)
 
I've got one of these, to specifically replace the kit lens. It's rarely off the camera now, effectively making the nifty redundant.

Build Quality is fine (mine's taken a few knocks) and it's as sharp as a sharp pointy thing.
I've never owned a really expensive lens that focusses quickly, and as such haven't really had any issues with the focussing (though the motor is noisy). No complaints whatsoever about it, it does what it's supposed to at a fraction of the cost of the canon equivalent.

As for the mystical runes on the side......

-AD A lens with Anomalous Dispersion element(s), a special optical glass which delivery large partial dispersion ratios relative to a specific light wavelength zone.
-AF Autofocus

-ASL Aspherical Lens Elements. A type of lenses that virtually eliminates the problem of coma and other types of lens aberration. The are particularly good at correcting distortion in wide-angle lenses as well as contributing to a lighter and smaller lens design.

-Di Digitally Integrated Design. Optical system designed to meet the performance characteristics of DSLR cameras as well as film cameras. Lenses can be used with either Digital or Film SLR cameras.

-Di II Digitally Integrated Design. Lenses made exclusively for digital SLR cameras with image sensors smaller than 24mm x 16mm (APS-C). Features high resolution performance incorporating anti-reflection coating and optical configurations to compensate for internal reflections and ghosting. Peripheral light fall off, more noticeable with digital cameras, is also reduced. Also provide ideal focal lengths to cover the range desired by DSLR users. Not designed for Full Frame Digital SLR cameras.

-HID High Index High Dispersion Glass element. Minimises on-axis and lateral chromatic aberrations.

-IF Inner Focus. The lens is able to focus without physically changing its size, where optical movement is limited to the interior of the non-extending part of the lens barrel, allowing for a more compact and lightweight lens as well as closer focusing distances.
-LAH LD Hybrid aspherical elements.

-LD Low Dispersion elements which effectively compensate for chromatic aberration that is a problem at the telephoto end and lateral aberration at the wide angle end.

-MACRO Used on those lenses which have the ability to be used for close up (macro) photography. Tamron puts MACRO on those lenses that provides a magnification ration of 1:4 or greater, indicating it is capable of providing macro results.

-SP Super Performance. High performance Specifications. The first priority in producing these lenses have been superior specifications and outstanding performance free from cost restraints.

-VC Vibration Compensation. Uses a 3 coil system allowing lenses to remain compact in size. Gives smooth and steady images in the viewfinder.

-XR Hi Refraction index glass elements resulting in minimum aberration. Allows smaller lens diameters while maintaining aperture values for overall compactness.

-ZL Zoom lock mechanism. Prevents undesired barrel extension whilst carrying the camera-lens around, thus protecting the lens.

So this lens, is an APS-C designed, Low dispersion, Aspherical Lens? (not so sure about asp), inner focussing engineering marvel
 
the motor is a bit noisy, not too different to the sound a nifty fifty makes. I think the colour reproduction of the tamron is better than the nifty fifty (but I love them both). It does hunt a little in low light, but i've gotten used to it and kind of now where to point it in order to get focus lock. I think the build quality is of a good standard, i have no complaints on that front.
 
Build quality is fine - I worried about that too before buying mine, but I've no issues, I've never really noticed the motor and if it hunts in low light, I can't say I've noticed that either - no more than any other lens I've had anyway. And to be honest, comparing its bokeh qualities to 50mm f/1.8 or f/1.4 lenses is a bit unfair really - thats the proverbial apples and pears comparison there. In summary - it's a great lens, you'd not be disappointed with it.
 
Build quality is fine - I worried about that too before buying mine, but I've no issues, I've never really noticed the motor and if it hunts in low light, I can't say I've noticed that either - no more than any other lens I've had anyway. And to be honest, comparing its bokeh qualities to 50mm f/1.8 or f/1.4 lenses is a bit unfair really - thats the proverbial apples and pears comparison there. In summary - it's a great lens, you'd not be disappointed with it.

very true. the 50mm opens wider, so you get more background blur!
 
I find the lens feels solid....not flimsy in any way!

I don't really do low light stuff....if I do night time work I manually focus anyway

Got plenty examples on my flickr of how sharp this lens is....no regrets whatsoever in buying it.....

Cheers.
 
I covered an event for about 7 hours on Saturday and mainly used the Tamron 17-50mm f2.8. I was shooting upto 10pm and for some reason my AF light on the camera wasn’t coming on yet the Tamron managed to focus for every single shot, even outside with hardly any lights around.

It’s a fantastic lens, extremely sharp. I can’t show you any images I’m afraid due to the nature of the event though.
 
I've been looking at this lens too. There appears to be a new version of it out this month with Image stabilisation ( or vibration compensation as they call it). Its only on a Nikon mount at the moment, but the Canon is to follow soon. I can't find a price on it anywhere or anyone that stocks it

http://www.dpreview.com/news/0909/09090107tamron17mm50mm.asp

I saw the SRP for the VC version at around £500-£550 mark, can't remember exactly or even where I saw it, but I'd imagine you'd be able to get it for around the £450 mark at release. Canon fit is due out sometime in October.
 
i also have this lens and have used it for several weddings with outstanding results.
 
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