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I think it's illegal to purposefully hold back stock in some parts of the world...
I’m sure there are loads of viable reasons they could give
I think it's illegal to purposefully hold back stock in some parts of the world...
Probably I am sure there are a bunch of loop holesI’m sure there are loads of viable reasons they could give
Yeah that one, although I can't see it some much on the linked one. Is that jpeg vs RAW or is it just TP rendering doing some weird stuff when you add it to a post. (it's most likely the latter as I know it over sharpens a lot of my images). Even if I zoom to 1:1 I can't see the stripes as much as the (unaltered) crops that you posted In fact I can barely see them at all.
Hmmm, that's not good for me as I'd almost always use mechanical shutter if I was to get the A7riii (I don't want the Jello effect on my panning shots )I never take his videos seriously as it’s mostly bull****t!
The Sony A9 has one of the best EVF’s
The Sony A9 was geared towards silent shutter usage, you get lag on the mechanical shutters, it’s not the EVF or refresh though, this similar across all the A7 bodies and not just the A9.
So what happens at 10fps in image preview? Sorry not up on mirrorless so no idea so trying to get all info possible!
https://www.sony.com/electronics/interchangeable-lens-cameras/ilce-7m3-body-kit#capture
Capture an instant action with continuous shooting of up to 10fps—or 8fps for live-view shooting—with AF/AE tracking. Up to approximately 177 JPEG (standard) images, 89 compressed RAW images, or 40 uncompressed RAW images can be captured in one continuous burst.
I would be shooting through EVF so would that be 10fps right?
I would be shooting through EVF so would that be 10fps right?
Great choice I’d highly recommend it.The only lens I can think of is 55/1.8 Zeiss Sonar.
Yes but the EVF won’t give you live view
You need to use 8 fps to get live view.
I got an urge to get a native lens to test out myself the real difference vs adapted. The question is what lens.
Don’t want any low end, low quality lens.
Trying to avoid focal lengths I’ve already have, but that will be hard.
I could start with a 24-70 G master....but I don’t use my Canon 24-70L much anyway... do as a lens that will get used? Very unlikely.
Zeiss 35/1.4? Favourite focal length but I don’t think any of them come close to my Canon.
The only lens I can think of is 55/1.8 Zeiss Sonar.
we live in a small small world.... its not hard for me to find someone coming over here from US
IQ wise I can't really think of a Sony FE lens that I'd say is bad or low quality.
Don't really know what you have on canon or your budget but you could try the 100mm STF which is pretty special.
Pretty much most of the sub 135mm lenses.
16-35L
24-70L
20/1.4 sigma Art
24/1.4L mk2
35/1.4L mk2
45/2.8 TSE
50/1.4 Art
85/1.2L mk2
100L macro IS
135L
I don’t so much “budget”, I get it if it’s justified.
Sony are not the only company to do this, how long was the back log of the D850, how long is the back log of each new iPhone that comes out how long.......Look at the fuss they create purposely holding stock back to increase demand and make more people want it just because there is a waiting list and ‘no stock’. The more waiting, the more hype, the more hype, the more interest. Bet they’re stock piling loads of them.
So you have to shoot blind if you want 10fps?Yes but the EVF won’t give you live view
You need to use 8 fps to get live view.
Sony are not the only company to do this, how long was the back log of the D850, how long is the back log of each new iPhone that comes out how long.......
So you have to shoot blind if you want 10fps?
FE28 or FE55 - Most of your lenses are fast and big so I guess you'd may be benefit got a smaller slower native version?
FE12-24 - wider than what you have
FE24-105 - more versatile option
FE100 STF - just a special lens in terms of rendering, with a bit of history from Minolta
70-200mm, 70-300mm or 100-400mm - because your don't have these and gives you more reach.
There are a couple of personal rules.
1 - no F/4 zooms - it’s slow
2 - no variable aperture lenses. Pain in the butt.
3 - no 2.8 primes. Might as well get a zoom.
I had a 70-200/2.8 for the Canon, bought it for a series of jobs, job ended, sold the lens. It’s not a focal length that I like, I find it incredibly impersonal. I don’t have those focal lengths is because I don’t shoot at those focal lengths.
But there are exceptions to rules sometimes right like your ts-e lens or macro lens are f2.8 primes
Same kind of exception could apply for 100mm STF or 12-24mm.
Otherwise your options are FE28, FE55, batis 25mm, tokina 20mm when it's out.
And of course there are equivalent lenses on Sony to your canon line up.
You could also wait for sigma 105mm/1.4
I got an urge to get a native lens to test out myself the real difference vs adapted. The question is what lens.
Don’t want any low end, low quality lens.
Trying to avoid focal lengths I’ve already have, but that will be hard.
I could start with a 24-70 G master....but I don’t use my Canon 24-70L much anyway... do as a lens that will get used? Very unlikely.
Zeiss 35/1.4? Favourite focal length but I don’t think any of them come close to my Canon.
The only lens I can think of is 55/1.8 Zeiss Sonar.
Sony are not the only company to do this, how long was the back log of the D850, how long is the back log of each new iPhone that comes out how long.......
So you have to shoot blind if you want 10fps?
Your last sentence is what I’m just thinking, but I’ll probably end up getting Canon mount though...and use it for both.
So let’s scrap that off the list.
Which means I don’t need another 100mm lens of the STF.
It’s hard for me to try and explain/show.... this might explain it better...
What you are not getting here is the a9’s Exmor RS stacked sensor and all the incredible breakthroughs that come from it. The a9 has a far better buffer and faster processing, and has blackout-free live view continuous shooting up to 20 frames per second; the a7 III can do live view up to 8 frames per second with blackouts, 10 with blackouts and showing the last photo taken in the viewfinder instead of a live view. The a9 (and the a7R III) also have a higher resolution EVF and LCD screen by the numbers, but without seeing the cameras side by side I didn’t notice anything in terms of “lower quality” with the a7 III. The a9 also has an awesome added physical dial on top for controlling the drive mode and focus mode of the camera without jumping into menus. Of course there are other smaller variances to examine if you are in the market for one of them, but these are the main differences.
https://fstoppers.com/originals/hands-sony-a7-iii-new-normal-227593
I get you now! So really the 10fps isn’t really needed but sounds good. For static objects you don’t really need it and for moving and panning you definitely want live view and therefore the 8fps.
Long live the the D500!!!
So you have to shoot blind if you want 10fps?
I get you now! So really the 10fps isn’t really needed but sounds good. For static objects you don’t really need it and for moving and panning you definitely want live view and therefore the 8fps.
Long live the the D500!!!
Correct, 8 fps is the way to go for tracking subjects quickly. lol
Yeah, sorry I understood that it was more a rhetorical question I just don't get the point of a putting in a function to shoot at 10fps if you have to shoot blind. Why not just make it 8fps and be done I guess it looks good on the statsIt’s hard for me to try and explain/show.... this might explain it better...
What you are not getting here is the a9’s Exmor RS stacked sensor and all the incredible breakthroughs that come from it. The a9 has a far better buffer and faster processing, and has blackout-free live view continuous shooting up to 20 frames per second; the a7 III can do live view up to 8 frames per second with blackouts, 10 with blackouts and showing the last photo taken in the viewfinder instead of a live view. The a9 (and the a7R III) also have a higher resolution EVF and LCD screen by the numbers, but without seeing the cameras side by side I didn’t notice anything in terms of “lower quality” with the a7 III. The a9 also has an awesome added physical dial on top for controlling the drive mode and focus mode of the camera without jumping into menus. Of course there are other smaller variances to examine if you are in the market for one of them, but these are the main differences.
https://fstoppers.com/originals/hands-sony-a7-iii-new-normal-227593
So the angry dude was shooting in mechanical hence the EVF looking laggy?
Electronic shutter and 8fps it is!!!
Not unless you want banding and jello effectSo the angry dude was shooting in mechanical hence the EVF looking laggy?
Electronic shutter and 8fps it is!!!
April is only a couple of weeks away! lolIt's a worldwide shortage though from what I understand. US only getting in April.
Hold up, I thought you tried the a73 and wasn’t keen?
Yeah, sorry I understood that it was more a rhetorical question I just don't get the point of a putting in a function to shoot at 10fps if you have to shoot blind. Why not just make it 8fps and be done I guess it looks good on the stats
True. But A9 is 20fps electronic and 10fps sounds good for the price!
That’s why it cost so much!
So the angry dude was shooting in mechanical hence the EVF looking laggy?
Electronic shutter and 8fps it is!!!
April is only a couple of weeks away! lol
I think you missed my point tbh. It can only do 10fps without live view, i.e. you're shooting blind so why bother putting this feature in? Who shoots at 10fps without seeing what they're shooting?True. But A9 is 20fps electronic and 10fps sounds good for the price!
That’s why it cost so much!
Not quite as simple as that.
Electronic shutter on anything moving quickly will cause a jello effect on the subjects, it can also introduce some banding but that is mostly mitigated with Sony’s Anti-Flicker function which sync’s your shutter speed with lighting frequency.
So without real-work testing, I’d recommend 8 fps mechanical only.
Mr Angry was comparing mechanical shutters between the Fuji XT-2 and Sony A9 and how the A9 EVF shows lag compared to the XT-2.
What he failed to take into consideration is that the Sony A9 is full-frame which has a bigger sensor, bigger shutter mechanism etc, because of this it has a greater lag compared to the XT-2. (APS-C).
.
Not quite as simple as that.
Electronic shutter on anything moving quickly will cause a jello effect on the subjects, it can also introduce some banding but that is mostly mitigated with Sony’s Anti-Flicker function which sync’s your shutter speed with lighting frequency.
So without real-work testing, I’d recommend 8 fps mechanical only.
Mr Angry was comparing mechanical shutters between the Fuji XT-2 and Sony A9 and how the A9 EVF shows lag compared to the XT-2.
What he failed to take into consideration is that the Sony A9 is full-frame which has a bigger sensor, bigger shutter mechanism etc, because of this it has a greater lag compared to the XT-2. (APS-C).
He picked a weak point on the Sony A9 and exploited it on his video, if you want to do studio work with flash at high fps, the Sony A7R III would be a better choice.
Sony A9 vs Fuji XT-2 is no contest on many fronts, granted Fuji has its strong points also but both are very different beasts.