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Also, Toyota and Lexus are the same company, hence the comparison reference.Absolutely
Also, Toyota and Lexus are the same company, hence the comparison reference.Absolutely
I do Hoppy. That shot was just taken ages ago for demo purposes. If I was going to use it in anger I'd drop that centre column lower so that it was resting on the nearest leg- stable as you like.
So it looks like I could do a lot worse than buying a Benro Carbon fibre tripod and ball head for less than £200... and maybe buy a panhead seperately.
I'm assuming the Benro has an offset rotating centre column?
I had originally had similar views to you Hoppy on Benro, but this review put me off a bit, i know its a few years old but I wonder?
http://www.tomwebsterphoto.com/Essays/Benro/benroks2.htm
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The model you've linked to is very small. Nice dinkly little thing I'm sure, but not what I'd choose - I would want the first number to be a 2 in the model code. If you want a really small and light one for travelling, also look at the fold-up Benro Travel Angel range (Gitzo Traveller copy). C-269 M8 with J-1 head was the one I fancied - decent height and fold very small being 5-sections http://cgi.ebay.com/New-BENRO-C-269...emQQptZLH_DefaultDomain_0?hash=item3a56a98164
The twiddly centre column model you want is called the Versatile range, like this http://cgi.ebay.com/BENRO-C-297-M8-...emQQptZLH_DefaultDomain_0?hash=item3efc8da360
I think you also get a better price from that supplier if you get legs and head together (and a free spirit level!).
So it looks like I could do a lot worse than buying a Benro Carbon fibre tripod and ball head for less than £200... and maybe buy a panhead seperately.
I'm assuming the Benro has an offset rotating centre column?
I wasn't particularly after a tiny one, in fact I need something that can hold a D700 with grip and a 14-24 2.8 or a 70-200 2.8. Any suggestion?
Well it looks like the legs splay wide which is good, but the centre column seems to be the same as the one you have. In practice that means that centre colum hanging below the head will limit how far you can splay the legs to get low UNLESS you continually raise the centre column in periscope fashion which sort oifdefeats the object.
You can no doubt reverse the head on the column so the camera hangs down (like the one you have). This is absolute pants as it means trying to work the camera and the menus screens upside down (a recipe for madness) -not to mention crawling between the legs to try to get your eye to the viewfinder.
Thanks Duncan,
I have just been reading an article by Scott Bourne here and he is singing the praises of Induro tripods.
I have priced up the following
Induro 4-Section Carbonflex Tripod Series 2
Induro 3DL34 3-Way Panhead
Induro DM01 - Ballhead with Manual Drag Control
In that kind of budget, should I be looking elsewhere or is that a pretty good system? I am thinking about buying both the heads so I then get the option to play with either.
If anyone feels that somebody who doesn't know know a ball head from a balloon knot shouldn't be spending so much on a tripod and clearly has more money than sense then I get your point and you are probably right.
I've seen that too - maybe that's why they changed their international trading name to Induro :shrug: .
So maybe I'm better off with my original idea...
Thanks very much for the advice
I wasn't particularly after a tiny one, in fact I need something that can hold a D700 with grip and a 14-24 2.8 or a 70-200 2.8. Any suggestion?
In all honesty, does anybody actually use a tripod like in that pic, apart from in advertisments? I can see the benefit of having legs that splay wide and low, but that angled column has got to be so unstable and makes the whole thing quite a lot heavier.
Gitzo and Benro are in a class of their own. You can read and compare the specs for yourself but doing Hoppy's Secret Wobble Test side by side, these two are just more rigid with less flex in the platform particularly, and also the legs.
After reading your comments about the Benro I thought I would purchase one on the strength of what you said. However, before I did - I carried out a few checks and not everyone seems to be that impressed by them.
Here is a review and while the its not the most professional impartial review I have ever read - it does ask some serious questions about the so called quality of the product:
http://www.tomwebsterphoto.com/Essays/Benro/benroks2.htm
Any comments or have the quality of their products improved since then?
Your checks didn't include reading post #43 of this thread![]()
It would be nice if I can find some some more recent reviews of their gear - so the search continues; will be a few out there I reckon.
Whether this helps or not:
I have a Manfrotto 190Cx Cf Tripod-3S and Manfrotto 322RC2 Heavy Duty Grip Ball Head
I wouldn't change them for the world. I use them for all sorts of photography and find the tripod easy to carry but sturdy for photography, and the ball grip is great as it allows quick and accurate movement, (it has a spirit level on it), letting me catch birds as well as the perfect landscape...
Ok.
I will drag out the same link I drag out every time I see one of these threads appear on the internet. It's like playing whack a mole.
http://www.bythom.com/support.htm
I had a Manfrotto 055b. It transmitted vibrations more readily than a tuning fork. I also had a heavy Manfrotto 468 ballhead. Cost a packet, wasn't very nice.
I upgraded to a carbon fibre Benro 257 and bought a Markins M20 head. http://www.markinsamerica.com/MA5/M20.php
The head is superb, the benro legs though, I wish I'd bought the 357 series as a friend of mine did. The 257 just isn't sturdy enough.
If I had the strength, I'd order a Berlebach. http://www.berlebach.de/?bereich=produkte&kategorie=1&sprache=english
Finally, after all the mucking around and still not having the right thing (Need to sell my 257 series legs and buy the 357 series, then I might be nearly happy) I use a beanbag more than I use the tripod anyway.
There's a chap on this forum who sells them from www.camerabeanbags.co.uk for a very moderate price and frankly, no tripod comes close in terms of weight, convenience and vibration damping
Don't make the mistake of playing the tripod upgrade game. Drop proper money on a proper support, if you don't like it at least it will re-sell for a similar value.
A note toward the manfrotto grip heads. They are convenient for studio work when you're shooting flash, and for high-shutter work. They raise the camera away from the tripod support a considerable amount, so for critical work tend to allow the mirror-slap vibration to go ape. That's largely moot if you shoot with MLU, but it's worth noting the difference between a device that will merely hold the camera in place, and one that will hold it still without vibrating.
What's the problem with vibration anyway? I accept it's a potential issue, in theory, but mirror-lock up is an instant cure - red herring.
What's the problem with vibration anyway? I accept it's a potential issue, in theory, but mirror-lock up is an instant cure - red herring.
I thought that was what tripods were trying to avoid. I'd say vibration is a big no no when it comes to tripods. Mirror lockup doesn't help if your tripod moves during a 1/6s exposure at 400mm (and yes, I was shooting exactly that a couple of weeks ago)
If a Benro 257 is not strong enough, you must be putting some serious weight on it. It's a sturdy mid-range tripod, very close to your Manfrotto 055 in overall size - why didn't you just buy a bigger one in the first place? I would say that going bigger than that is not necessary for most people though. If you have a very heavy camera or a big fast prime then maybe the 357 is better suited but you don't say so. Actually I think the 397 is a better bet for that, but there you go - that's mainly because I like the idea of the interchangeable platform that you can use on its own and absolutely solid, or drop in the optional geared centre-column, subjectivity again.
I was making a distinction between camera-induced vibration (mirror-slap) and general movement/wobbling.
If you don't won't wobble, then just get a decent tripod and don't extend the centre colum more than a couple of inches. Job done really.
For mirror-slap, then that's more difficult. Generally speaking I think you can largely ignore mirror-slap as a practical problem, although if you are going to the trouble of using a tripod then MLU just seems like good practise anyway.
However, it exists and can be a problem in particular situations - I would say the situation you site paul, with 400mm lens that is both long (high magnification) and heavy, and shooting at 1/6sec which is right in the critical zone between say 1/20sec and about 1/8sec very roughly.
These are the speeds which catch the full extent of slap - shorter and it goes unnoticed, and at longer speeds any blurred part of the exposure is concealed by the longer sharp part. IS is very helpful at reducing this, so I don't turn it off until speeds get longer than this.
Long lenses obviously magnify any movement or vibration a great deal, plus you've got the weight and leverage things going on. Manfrotto make a neat little strut that supports both ends of a long lens/camera http://www.morrisphoto.co.uk/ProductDetails~productID~5400~categoryid~213.html Another good trick is to rest a bean-bag on top of the lens/camera (one with beans in, not polystyrene). Alternatively, just use you hand - if you're steady the damping effect of your hand both holding the camera at one end and resting on top on the lens at the other won't induce movement and will kill vibration.
Basically, long lens photography needs extra care, extra equipment and special techniques. Sorry Paul, I know you know this - just in the interests of general debate![]()
This is where its gets difficult for people choosing - I disagree with both these posts, at least from the perspective of my own personal use, which I think is fairly typical, as is the equipment I use. And it's not as if you can go into your local dealer and see for yourself - most places only have a pathetic range.
Manfrotto 190 is too small. I am average height but can't use one standing up without a lot of extension on the centre column, which is death to stability.
The 322 action grip has its virtues, namely speed, but is heavy and very poor at fine adjustments for landscape and studio work.
