CT
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I really don't mean to sound cruel, but I wouldn't dream of being the main (commercial) photographer at a wedding with a (single) 400D and your selection of lenses, it's all superb enthusiast-grade kit, but in my opinion when it's a professional job then you should have professional gear and backups of everything, including bodies. I have always hired or borrowed a second body and selection of lenses if I didn't feel my kit stretched far enough.
I guess my post is really a warning to others more than a comment about your situation - but it's common that lots of people are 'having a go' at weddings because they have entry level dSLR equipment. Many are big sucesses, but under-spec'd equipment can cause you a headache and potentially run the risk of falling short of the quality expected by the bride and groom.
♦
Cheers,
James
I'm not sure I can agree with all of this. Certainly if you don't have the basic understanding and confidence, you can find you've bitten off a lot more than you can chew on the day, but everyone has to start somewhere.
I certainly wouldn't dream of doing a wedding without two of everything including bodies ... Hell.. especially bodies, but I don't think those bodies need to be top end gear by any means, the OP's 400D is more than capable of the job. When I started out as a yoof I was using gear which many would have considered well below pro standard, in fact I overlapped with a few Hasselblad toting togs at churches where they delighted in asking me "Your're surely not using THAT are you? "
Sorry, bit slow on that one.
