OK, here we go ...
Calendar - good subject to include, but it's a record shot so why photograph it so the viewer can't read it?
Girls on sofa and bottle opening in kitchen would both benefit from some cropping.
Brushes - dead boring. From the punter's POV this shot is a "so what?" picture. Nothing says "my wedding". Needs context as well as better composition to work, but ATEOTD it's still just a picture of some slap artist's brushes.
Girls watching m/u - I'd have taken that picture then another one when the hand had moved to block a bit less face. The grouping and their expressions wouldn't have changed in that time. It's always worth taking a couple of shots in quick succession where you have a hand moving over a face.
B/w bride in front of fireplace - well seen but why all the spare space? Half the picture consisting of a door doesn't equal context.
Shoes shot - before you're stuck for a background again, get a pair of bridal shoes from a charity shop and practice different arrangements so you have say three to fall back on, including one which works with very strappy heels and one with flats. Check out what the experts do - especially the female wedding snappers
That four glasses shot is a cracker. I've never done that picture better.
B/w bloke in kitchen - it's either a missed moment or the moment hadn't happened.yet.
Doing up the dress - very well caught in those circumstances.
Bride meeting dad/on stairs - again, very well done.
Blue gates shot - some people will say that's a snapshot but the bride and her dad will treasure that shot, and in my book it's a well-composed, well caught documentary picture.
Second one of her putting his ring on - the black dots over the heads are distracting, so zap those two candle-holders on the wall, otherwise it's a good 'un despite being framed a bit high. Did you miss him putting hers on?
That exit shot's a cracker.
Venue and detail shots are fine (and there aren't too many of them either!), as are the formals/couple shots apart from that one in front of the house with the tent thing in the b/g which was never going to work. I'd bin it. It detracts from the rest.
Meal/speech pictures are excellent and dance shots are fine.
Overall it's very good and certainly the best I've seen of yours. You captured the feel of the wedding and the personalities, you got some first class documentary shots and your formals/posed are fine (apart from the one mentioned above). This one conveys the impression that you had more confidence in what you were doing.
And I really don't know what you're on about regarding the light, in the church or anywhere else for that matter. The end result is fine, and it's all good practice for when you have to shoot in really crap light ...
