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- Lee
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70-200 f2.8 IS MkII and/or 100 f2.8 L Macro
I'm going with this too....
70-200 f2.8 IS MkII and/or 100 f2.8 L Macro
That's the key right there. Any of the decent Canon glass, and much of the recent independent stuff is really very good to the point that the biggest difference will come down to the technique rather than the glass. Getting the focus point absolutely spot on, and using a sturdy tripod will have a bigger impact on sharpness than the choice of lens.135mm f2
The 24mm TS-E is pretty damn good if you get the technique right.
In order
300 2.8 IS ...wish I still had it.. but upped to the 400
135l f2 ..sharp as a pin at f2 ... hardly use it as the 70-200 mkII is close enough.. but its one of those lens i would never part with.
35m f2
400 f2.8 is
nifty 50
70-200 mkII
For me, the Canon 85mm f/1.8 takes some beating, pound for pound. Love that lens.
This.That's the key right there. Any of the decent Canon glass, and much of the recent independent stuff is really very good to the point that the biggest difference will come down to the technique rather than the glass. Getting the focus point absolutely spot on, and using a sturdy tripod will have a bigger impact on sharpness than the choice of lens.
This.
Apart from my cheapy samyung 14mm, every lens I have produces sharp results, in the right conditions. Push their capabilities(or that of the body) and you won't get such good results.. I've got a 100-400 that you can pick out amazing detail of birds etc, yet lots dismiss these as average.