For me, my main nterest is wildlife, I chose the 5D3 for the high iso and af performance, however I do miss the extra reach of the crop. Ideally I'll keep both but need to check with the BM firstHi there... I am just wondering how these very different beasts would mean a straight swap.... I was meandering down the second body route....GAS attack!
This matches (within a few quid) the price in France at the Canon dealer (High Street store) from where I've ordered mine. As I wrote earlier in this thread, the so called "early adopters" premium doesn't seem to exist over here but UK prices generally fall below French prices once the premium has been whittled away.1399 on digital Rev, wonder what Panamoz bacs will be
For a body I'd be more interested to see what Hdew can do on price. That said, I did just buy a G7 X from Digital Rev, but for a full blown DSLR I'd feel happier with a longer warranty and full local support, not just for repairs, but calibration and any other servicing.
This matches (within a few quid) the price in France at the Canon dealer (High Street store) from where I've ordered mine. As I wrote earlier in this thread, the so called "early adopters" premium doesn't seem to exist over here but UK prices generally fall below French prices once the premium has been whittled away.
Bob
Does anybody know if Jessops will be shipping this week like everyone else?
Yeah, I got my preorder in with them on September 20th so hope I'll get one from the first batch.....A phonecall will give you the most reliable answer but most of the major Canon appointed retailers are receiving them directly from Japan later this week and shipping out the pre-orders the following day. I don't think they'll be left with much stock from this first batch.
Only 4 more sleeps, all being well!
I can't wait for other people to see if they are any good or not....! Haha
To my knowledge the professional reviews are all of beta units and, given the lack of raw software other than DPP, are not representative of real world results for people shooting raw and using Adobe or other raw software. I have absolutely no interest in JPEG output from the camera and I hate DPP. For me the reviews which matter are yet to come.....I'm curious why you would favour the opinion of someone on an internet forum (such as on TP) rather than a full preview video by someone like, Tony Northrup, Scott Kelby, Peter Read Miller, who are independent professionals and not on Canon's payroll.
It is more likely that someone (not everyone!!) on an internet forum is likely to either be anally critical about a feature or overly praiseworthy because they feel a need to justify their purchase (me perhaps?). I'm not saying that there aren't some folks on TP whose opinions matter and are worth taking notice of, but how do you know who they are?
Sorry, but those professionals I mentioned have published videos, combined with my reading the Manual PDF, which have convinced me to pre-order and feel confident about what's going to be delivered to my door on Friday.
To my knowledge the professional reviews are all of beta units and, given the lack of raw software other than DPP, are not representative of real world results for people shooting raw and using Adobe or other raw software. I have absolutely no interest in JPEG output from the camera and I hate DPP. For me the reviews which matter are yet to come.
In my experience Adobe does not get it right with their first release of raw support for new Canon cameras. The 7D was especially troublesome for them and I think the 50D and even 40D processing saw improvements over time. The biggest question marks for me are regarding noise and acuity. These are the very areas in which raw software can make or break the camera. Since the raw support is not there yet I am more than happy to wait before making a purchasing decision, by which time I also hope to see a nice drop in price. In all honesty I am very like to purchase a 7D2, but not this year.
....I'm curious why you would favour the opinion of someone on an internet forum (such as on TP) rather than a full preview video by someone like, Tony Northrup, Scott Kelby, Peter Read Miller, who are independent professionals and not on Canon's payroll.
It is more likely that someone (not everyone!!) on an internet forum is likely to either be anally critical about a feature or overly praiseworthy because they feel a need to justify their purchase (me perhaps?). I'm not saying that there aren't some folks on TP whose opinions matter and are worth taking notice of, but how do you know who they are?
Sorry, but those professionals I mentioned have published videos, combined with my reading the Manual PDF, which have convinced me to pre-order and feel confident about what's going to be delivered to my door on Friday.
. I am hoping that Apple hurry up with releasing their 7D2 RAW Compatibility Update. Until then, it will have to be JPEG.
I feel I can rely enough on the previews by those independent professionals whose opinions I already trust. I did the same with my 70D a year ago and absolutely no problems nor regrets.
You have only to read the list of features and to match that with the type of photography you do to realise whether the 7D2 is likely to satisfy you or not. If you have bought into the Canon system it's only a question of either whether you need a crop-sensor body or not, or whether it satisfactorily replaces a camera you already own.
As an amateur wildlife photographer I want to be sufficiently fluent / fluid with a new camera before a season starts, not by the time it is ending. I've said so before, but at 67yo why on earth should I wait? To save only a relatively small amount of money? - Nah.
When I spoke to Andy Rouse (who just loved the camera) he had had one for over a week, and was about to take it to Antarctica for three weeks - I think he is still there. Certainly not just a few hours and he was really putting it through its paces.
They are just more views to add to other to get an overall feeling about how the camera will turn out.
Not long before it gets into the hands of 'real' people. Ooh, there'll be views coming left, right and centre.
The raw files would, of course, be untouched and in camera noise reduction on jpegs is the exact reason I ignore reviews published to date. My interest is in raw files processed in Lightroom. Until I see satisfactory results there my money stays in my pocket.One thing I don't get is the jpegs look great at ISO 16,000 on some of the sites, but Digital Photography Review has the RAW images looking quite noisy at ISO 3200 on the studio samples comparison? Is the 7D MK II applying heavy noise reduction to the jpegs whilst leaving the RAW untouched?
The raw files would, of course, be untouched and in camera noise reduction on jpegs is the exact reason I ignore reviews published to date. My interest is in raw files processed in Lightroom. Until I see satisfactory results there my money stays in my pocket.
I think that it's inevitable that shots at Iso 16000 have been cleaned up considerably. Once you get into those levels then having something to work with is a more reasonable expectation. NR, be it in-camera or PP is now an accepted part of the process when pushing towards the limits.I hope that there is some improvement in high ISO performance in RAW and hope that all the shots that look good at ISO 16000 aren't just the result of post heavy image processing, specifically noise reduction.
Still too early yet, well some of the others on this forum will soon have the 7D MK II in their hands and they'll be able to tell us how the camera performs with high iso performance in RAW. I'll let them be the guinea pigs and let them figure it out before I decided whether to get one or not.
....How am I, for example, going to do that if Apple haven't released a 'RAW Camera Compatibility Update' for the 7D2 yet? I don't use Lightroom, I use Aperture and Photoshop CS6 to process RAW. My 7D2 is en route to me by courier right now.
........... My 7D2 is en route to me by courier right now.
Shoot some raw images at ISO 6400, then use 'Digital Photo Professional' software that comes with the camera on the software cd and convert the RAW images to a 16bit lossless TIFF. You'll be able to load a TIFF into Lightroom, Photoshop and other programs.
But don't those programs still use a camera profile based on the camera model on which the data was captured?......and convert the RAW images to a 16bit lossless TIFF. You'll be able to load a TIFF into Lightroom, Photoshop and other programs.
Looking good for the new year sales once all the "new camera=better images" buyers have moaned at the "i thought it would have less noise" :meh: :indifferent: