A few of you may have read that article - I just got a copy here courtesy of Dougie...
I'd like to clarify a couple of points that Sgt Dan Harmer made that I personally disagree with reference the photographing of casualties...
I make it a point to explain as carefully as I can to the troops I'm (in effect) embedded with that it's part of my job to photograph casualties, both insurgent and coalition forces - think to the footage of WW1, WW2, Korea and Vietnam, as well as Gulf wars 1 & 2...however distasteful and upsetting that might be...
If we never photographed casualties, we would paint a false image of the conflict and future generations might be forgiven in thinking that this was a realtively bloodless affair due to the lack of photographic evidence to the contrary if we never took images of dead or injured soldiers...
Dan also states that '...Photoshop is only ever used to remove dust-spots...' not so...
We carry out what I often refer to here as 'normal darkroom practice' - colour-balance, levels adjustment, lightening, darkening selective areas, maybe some vignetting for artistic effect and sharpening if required.
The file-naming protocols we use reflect the amount of post-production used:
R = RAW - either JPEG high or raw/NEF, but untouched.
E = Enhanced - PP applied as explained above.
M = Manipulated - additional layer effects such as high contrast B&W layers applied for that super-contrasty gritty feel
But then I also notice that Dan still shoots on aperture-priority instead of doing it 'properly' on manual...
for which I and the other Combat Camera guys out here now will be giving him suitable amounts of grief later...lol
Both I and Staff-Sergeant Matt Woodhouse manage to shoot everything in Manual in combat and get decently-framed and exposed images...(and there were precious few actual combat images in the AP article as well, most were training-images, stuff taken in Camp Bastion- about as dangerous as Longmoor Training Area and vehicle moves - all very nice, but...).
If Don McCullin and Larry Burroughs could do it - so should I be able to - so should any of us...
I'd like to clarify a couple of points that Sgt Dan Harmer made that I personally disagree with reference the photographing of casualties...
I make it a point to explain as carefully as I can to the troops I'm (in effect) embedded with that it's part of my job to photograph casualties, both insurgent and coalition forces - think to the footage of WW1, WW2, Korea and Vietnam, as well as Gulf wars 1 & 2...however distasteful and upsetting that might be...
If we never photographed casualties, we would paint a false image of the conflict and future generations might be forgiven in thinking that this was a realtively bloodless affair due to the lack of photographic evidence to the contrary if we never took images of dead or injured soldiers...
Dan also states that '...Photoshop is only ever used to remove dust-spots...' not so...
We carry out what I often refer to here as 'normal darkroom practice' - colour-balance, levels adjustment, lightening, darkening selective areas, maybe some vignetting for artistic effect and sharpening if required.
The file-naming protocols we use reflect the amount of post-production used:
R = RAW - either JPEG high or raw/NEF, but untouched.
E = Enhanced - PP applied as explained above.
M = Manipulated - additional layer effects such as high contrast B&W layers applied for that super-contrasty gritty feel
But then I also notice that Dan still shoots on aperture-priority instead of doing it 'properly' on manual...
Both I and Staff-Sergeant Matt Woodhouse manage to shoot everything in Manual in combat and get decently-framed and exposed images...(and there were precious few actual combat images in the AP article as well, most were training-images, stuff taken in Camp Bastion- about as dangerous as Longmoor Training Area and vehicle moves - all very nice, but...).
If Don McCullin and Larry Burroughs could do it - so should I be able to - so should any of us...


classic