ShutterWork said:
@ Tim - Thanks for your detailed answer Tim..it does seem to be a bit more clear now..
I think it's because of nikon/ canon concept I got confused.. Will sleep over it, rest my grey-cells, and see if it makes sense tmrw.
If not am afraid, will have to pick your brains again ;-)
Just learn YOUR gear in conjunction with the basics and you will be fine. The Nikon system gets a bit weird as you can adjust the EC on the camera body and it will affect TTL flash output sometimes. Reason is the TTL system watches the meter and the EC biases the meter when camera is in manual mode. BUT the flash output is only adjusted if the meter reads underexposed. It also meters the flash output on the focus points in TTL-BL so it will adjust flash exposure if something bright is under a focus point compared to something dark. The TTL-BL system was originally deSignated back light, now they say its balanced light, this odd behaviour make sense if you think about situations where subject is back lit. Please ignore all this if its confusing its just for people reading the thread wondering why the two systems behave differently, it can throw you a bit if you were used to one system and switched.
But I also want to give you a couple of links in case you haven't already seen these, first Neil's blog, it's a really good source of information especially using bounce flash which is a great place to start and always very useful. In fact I love shooting indoors because I can always use this technique and get the kind of results that will often require off camera flash and an assistant to achieve with any kind of speed.
http://neilvn.com/tangents/
ooops just check back and see Tim already gave you Neil's site, well make sure you spend some time there if you are interested in flash photography, he has examples, settings, and will really explain his technique for balancing ambient and flash. Try the little black fomie thing to flag your flash and you will be amazed at how good the results can be, forget all the expensive on camera flash modifiers, you just don't need them. Only thing I use is an A4 size piece of white card hair banded to my flash if I absolutely can't bounce off a wall or similar and it really is a last resort. He also has two books out, the first one is on camera flash and a very good book, but he is so generous with information on the blog that most of of it is actually on there. The second book is off camera flash and I haven't read that one but expect it would be a very good book also.
Next is probably one of the most popular small flash sites on the internet and the lighting 101 is a good place to start
http://strobist.blogspot.com/2006/03/lighting-101.html
Another one I would highly recommend is David Ziser's digital pro talk
http://strobist.blogspot.com/2006/03/lighting-101.html
He has been a wedding and portrait photographer for ever and his use of single off camera flash through an umbrella gets some really nice results, his photographic style is often more 'traditional' than some but there is no denying his technique and he is so good at posing people that the results are often pretty stunning.
Now at the other extreme is Cliff Mautner, a photojournalist turned wedding photographer who usually avoids flash and and will shoot people in the midday sun but just position them for rim lighting and gets some great results. I have watched a few of his videos on the kelby training site and he really has turned this technique into his style to great effect. He's not afraid of shadows and highlights, something which a lot of photographers seem to avoid at all costs these days, and it tends to give a very rich moody feel to the work, something I really am drawn to.
http://www.cmphotography.com/site.htm